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Authors Intentions

Tue, 7 Apr 2009, 07:13 pm
Paul Treasure39 posts in thread
Okay, this is a serious question for me... A number of different posts recently have gotten quite seriously into Dramatic Theory, and one thing that keeps popping up is "The Author's Intention". Now, when I was younger I had Roland Barthes' theory of "The Death of the Author" drummed into me. To try and put it simply - The meaning of any work of art or literature is the meaning that the reader/watcher gets from it, and any interpretation is valid as long as the text bears it out, and what the author originally intended is largely irrelevant... (My apologies if I put it clumsily, it WAS YEARS ago) But this was a literary/philosophical theory, not a purely dramatic one. My question is: Has Roland Barthes been thrown out and someone forgot to forward me the memo? or, As his theory is a general literary theory not a specific dramatic one, has it just not filtered through to the performing arts? Can't say I'm losing sleep over it or anything, but it has piqued my interest :-)

Beckett

Tue, 7 Apr 2009, 08:16 pm
"Likwise, many other playwrights are quite specific: take a look at Samuel Beckett and the way his plays are so heavily protected from being taken out of context." Although, is that Beckett or Beckett's estate?! I remember there was some kerfuffle about an all female "Godot" a couple of years ago that the Beckett Estate shut down, whereas an all-female production here in Perth many many years ago went on with Beckett's blessing... I know Stoppard is very much of the "I provide the text, now lets see what you can do with it" school. Maybe Barthes is more embraced in Europe but not in America? This is why I asked the question in the first place... I don't know!!!

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