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Lighting issues

Wed, 7 Oct 2009, 10:07 pm
jeffhansen19 posts in thread
I know there are a lot of different schools of thought when it comes to lighting design, and I guess if the end result works, then you've done the job. I am currently looking to upgrade the lighting at Melville, and looking for some input. Firstly, I have no training, and little knowledge about lighting design, bar what I've picked up on the job over the last few years. I want to set a permanent wash, but we are short on lanterns, so things tend to get moved around all the time. Question 1 - Are profiles the best lantern to use from the FOH bars? I've been led to believe this is the case, as you can pretty much eliminate any spill withh them. They do, tend to be rather hard around the edges, though I know this can be softened. I am currently using profiles for this purpose, but the don't have a wide enough beam to be used on the #1 FOH bar. Hence I use them on the #2 FOH bar, but it is too far from the stage, and hence too low (owing to a low ceiling), so they throw hard shadows onto the backdrop. To diminish this, I use floods on the backdrop to try and wash out the shadows. This is successful to a point. I think what I need are wider beam profiles that can be used closer to the stage. Comments?? Question 2 - Assuming I've solved the above problem, I have a handful of fresnels that I can use on the bar behind the curtains to light the upstage area, and backdrop to create a workable wash. Would Parcans as a cheap option do this job? Do they work in a wash? I've got 4 Minims that I use as backlighting, which seems to work OK, but they have a rather narrow beam. I think that wide angle Parcans might do a better job here. I think most of the problem is that the lighting bars are too low, though there's nothing that can be done about that, and this means that I need to have wide angle lamps, which I really don't have.

"Set 'n forget" colour wash

Mon, 16 Nov 2009, 10:56 am

"Set 'n forget" colour wash is a barrow I wheel out & push all the time. As suggested by Jeffs mate & others here. Then to just suppliment with the use of 'specials' as required. This generaly happens in proeatre venues & makes life easier with back to back shows & fast bump in/out schedules.

Lets face it most ameatres actualy do this without thinking, in as much as, they work around what lamps are already hanging where ever & hope for the best. Inevertably after a few seasons the rig becomes like a patch work quilt. Because we are too slack to even change gels or return the rig back to 'Square One'. The wishfull thinking & hope  is probably one of "don't worry it return to square one someday?". [Most  are still waiting for this to happen!}

This also ties up & brings it back, sort of, to the general topic of on going maintences, cleaning, safety checks, tagging & all the other normal housekeeping tasks.

Yet cobwebs  'n dust buiild up are still growing wildly at most comeatre venues, which probably proves the lamps have not been touched for years & still achieving an out of focus blatt lighting misenscene.

Which means there is usauly only two chances of well maintained air con units & equipment - 'none & buckleys'!

 

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