Lighting issues
Wed, 7 Oct 2009, 10:07 pmjeffhansen19 posts in thread
Lighting issues
Wed, 7 Oct 2009, 10:07 pmI know there are a lot of different schools of thought when it comes to lighting design, and I guess if the end result works, then you've done the job.
I am currently looking to upgrade the lighting at Melville, and looking for some input.
Firstly, I have no training, and little knowledge about lighting design, bar what I've picked up on the job over the last few years.
I want to set a permanent wash, but we are short on lanterns, so things tend to get moved around all the time.
Question 1 - Are profiles the best lantern to use from the FOH bars?
I've been led to believe this is the case, as you can pretty much eliminate any spill withh them. They do, tend to be rather hard around the edges, though I know this can be softened.
I am currently using profiles for this purpose, but the don't have a wide enough beam to be used on the #1 FOH bar. Hence I use them on the #2 FOH bar, but it is too far from the stage, and hence too low (owing to a low ceiling), so they throw hard shadows onto the backdrop. To diminish this, I use floods on the backdrop to try and wash out the shadows. This is successful to a point.
I think what I need are wider beam profiles that can be used closer to the stage. Comments??
Question 2 - Assuming I've solved the above problem, I have a handful of fresnels that I can use on the bar behind the curtains to light the upstage area, and backdrop to create a workable wash. Would Parcans as a cheap option do this job? Do they work in a wash?
I've got 4 Minims that I use as backlighting, which seems to work OK, but they have a rather narrow beam. I think that wide angle Parcans might do a better job here.
I think most of the problem is that the lighting bars are too low, though there's nothing that can be done about that, and this means that I need to have wide angle lamps, which I really don't have.
Fresnelss for near FOH; profiles for far FOH........
Sun, 8 Nov 2009, 05:25 amI tried a bar of Patt 23's across a FOH bar just above the apron but didn’t think it would work given their distinct profile; the beam angle was too narrow and hard edges was the problem.
I then used a bank of Minim fresnels which worked well, they are not hard edged and actors walking across the apron are consistently lit without dark hollows. If you get over spray then use barn doors – I didn’t need them.
The further away you go from the stage the profile then comes into its own with controllable beam and you will need more punch given the loss of light over distance. Profiles can be softened and have better control over edges.
The best way here is to try it out………………
I agree with other writers PAR's are only for colour washing, disco effects, etc and completely uncontrollable light target wise .........
Cheers - Peter