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Lighting issues

Wed, 7 Oct 2009, 10:07 pm
jeffhansen19 posts in thread
I know there are a lot of different schools of thought when it comes to lighting design, and I guess if the end result works, then you've done the job. I am currently looking to upgrade the lighting at Melville, and looking for some input. Firstly, I have no training, and little knowledge about lighting design, bar what I've picked up on the job over the last few years. I want to set a permanent wash, but we are short on lanterns, so things tend to get moved around all the time. Question 1 - Are profiles the best lantern to use from the FOH bars? I've been led to believe this is the case, as you can pretty much eliminate any spill withh them. They do, tend to be rather hard around the edges, though I know this can be softened. I am currently using profiles for this purpose, but the don't have a wide enough beam to be used on the #1 FOH bar. Hence I use them on the #2 FOH bar, but it is too far from the stage, and hence too low (owing to a low ceiling), so they throw hard shadows onto the backdrop. To diminish this, I use floods on the backdrop to try and wash out the shadows. This is successful to a point. I think what I need are wider beam profiles that can be used closer to the stage. Comments?? Question 2 - Assuming I've solved the above problem, I have a handful of fresnels that I can use on the bar behind the curtains to light the upstage area, and backdrop to create a workable wash. Would Parcans as a cheap option do this job? Do they work in a wash? I've got 4 Minims that I use as backlighting, which seems to work OK, but they have a rather narrow beam. I think that wide angle Parcans might do a better job here. I think most of the problem is that the lighting bars are too low, though there's nothing that can be done about that, and this means that I need to have wide angle lamps, which I really don't have.

From what I learned at uni

Wed, 7 Oct 2009, 10:25 pm
From what I learned at uni (two years lighting design/op), FOH is best done with fresnels, except for ranges too distant (in which case, yes you'd use profiles). General wash from sides or back would be parcans; stage lighting for tighter areas would be fresnels. Profiles generally were used only for particular things (ie. tight hard spots, gobos, etc), although we did use some on the FOH bars, but only when we'd run out of fresnels. (This is based on memory from 6 years ago, but it should be right. I was one of only two people in the class who were actually good at lighting :)) I'm not sure if that answers your question regarding wider beam profiles, but perhaps trying with fresnels might help? ... I believe this also covers the other questions to some degree. Using parcans would get you a wider range of wash compared to fresnels and profiles, freeing you up to use those for other things. But someone who has more experience than I might be able to provide more/better suggestions. Puppets and patterns at Puppets in Melbourne

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