Theatre Australia

your portal for australian theatre

Lighting issues

Wed, 7 Oct 2009, 10:07 pm
jeffhansen19 posts in thread
I know there are a lot of different schools of thought when it comes to lighting design, and I guess if the end result works, then you've done the job. I am currently looking to upgrade the lighting at Melville, and looking for some input. Firstly, I have no training, and little knowledge about lighting design, bar what I've picked up on the job over the last few years. I want to set a permanent wash, but we are short on lanterns, so things tend to get moved around all the time. Question 1 - Are profiles the best lantern to use from the FOH bars? I've been led to believe this is the case, as you can pretty much eliminate any spill withh them. They do, tend to be rather hard around the edges, though I know this can be softened. I am currently using profiles for this purpose, but the don't have a wide enough beam to be used on the #1 FOH bar. Hence I use them on the #2 FOH bar, but it is too far from the stage, and hence too low (owing to a low ceiling), so they throw hard shadows onto the backdrop. To diminish this, I use floods on the backdrop to try and wash out the shadows. This is successful to a point. I think what I need are wider beam profiles that can be used closer to the stage. Comments?? Question 2 - Assuming I've solved the above problem, I have a handful of fresnels that I can use on the bar behind the curtains to light the upstage area, and backdrop to create a workable wash. Would Parcans as a cheap option do this job? Do they work in a wash? I've got 4 Minims that I use as backlighting, which seems to work OK, but they have a rather narrow beam. I think that wide angle Parcans might do a better job here. I think most of the problem is that the lighting bars are too low, though there's nothing that can be done about that, and this means that I need to have wide angle lamps, which I really don't have.

Francis Reid was 'n still

Mon, 19 Oct 2009, 10:34 am

Francis Reid was 'n still is the Guru who influnanced me, when I spoke to him back in abou 1958 or 9, at the Golders Green Hyppodrome in London. I think at the time he was actualy the editor of the 'TABS' magazine. He aparently he is still going strong & runs his own theatre some where in english home Counties?

He also from memory liked utalising the old footlights [floats] to augment the misenscene from the 'Z' position. Also he was not adversed to using floods even from the FOH Beem Bar, as well as side & back lighting.

I have used Sunray S battens hung on the FOH beem bar from time to time, especialy as David mentioned in low ceiling venues, to great effect to cover from 'Y' [face light (logos)] position.

Also I can't remember if MTC has foh bars in the Perch positions, which are good for cross focus lighting with profiles.

Thread (19 posts)

← Back to Tech Talk