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Amateur versus Community

Sun, 29 Oct 2006, 12:03 pm
Logos25 posts in thread

When did we start using Community rather than Amateur and why? I can still remember a time when the word amateur was proudly worn by a number of theatre companys. After all the word means basically " for the love of" and means far more than unpaid. The top skilled amateurs are not far from professional in ability and the best companies manage very high production values indeed. I have to say that the Scouts are getting quite frightening from that point of view.

Community Theatre at least in the seventies menat something else entirely and related to professional company's working in and with the general community companys like Junction and Troupe here in Adelaide. Exploring local issues and producing performance pieces addressing those issues. They caot a fortune to run of course and as funding became harder and harder in the eighties and ninties they vanished.

So back to the first question. Are we no longer proud of amateur status, is it something we try to avoid as a label. Do we feel that the term community theatre has a better image. Any thoughts.

As for choosing only to do

Tue, 31 Oct 2006, 04:08 pm
As for choosing only to do professional I've done this. But not for the above reason. I figure that since I have trained to be a professional, and want to work professionally, why spend time working on a show for free, when I could be getting paid. This also applies with profit-share and co-op. There are so many people out there who say they'll pay you, or who simply aren't good to work with (for whatever reason), in co-op theatre, that I only work co-op with people I'm friends with. This isn't meant to be offensive to the amateur community - it's just that there is so little time to share between 'normal' (making a living) work and theatre. The Prompt Copy Networking emerging theatre professionals www.thepromptcopy.com Sticky Apple Legs http://stickyapplelegs.artsblogs.com Puppets in Melbourne www.freewebs.com/puppetsinmelbourne

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