Theatre Australia

your portal for australian theatre

Bumpy Angels

Sun, 2 July 2000, 12:07 pm
Walter Plinge27 posts in thread
Hello everyone! Well, lets see if we can cause some more controversy!(not that that's what i set out to do)

Bumpy Angels is a strange mish-mash of song, personal revelation (and even) game show. Unfortunately I was put off from the beginning with the intolerably long procession of "brides" which had no relevance to any later scenes - merely some sort of masque to get us in the mood (and failing). Firstly the backstage crew were laughable - taking ages just to move a cupboard and later making mistakes (coming in and off in half light) and then very audiblely chastising/discussing backstage - to was so bad the audience couldn't help but giggle. Mind you, we were already in a bemused state after being subjected to various snatches of song which are incredibly cheesy and I think lent nothing to the play - they could all be cut and play would lose nothing (might even gain a bit of dramatic credibility). By the interval I was pleased with the dramatic tension set up between characters and the audience was certainly emotionally involved - some of us rather uncomfortably so! But then it just kept coming! Coral and Felicity-Elizabeth's monologues were quite touching and well performed - but then everybody had to get in on the act, confessing every dark secret and troubled soul. Destroying most of the poignancy and subtlety of the play we were sledgehammered with emotion until the unsatisfying conclusion. High praise must goto the Mother Superior, who showed excellent charactisation and crystal clear vocal technique. Singing numbers were a little ragged and out of time and of course not all of us can be singers (Angela and Amy's song certainly made us long for a chorus number) but Your CHeatin' Heart was an absolute delight. All in all an emotion packed and interesting show, which cheapens itself through lack of any subtlety and its silly songs.

RE: Secret Squirrel

Mon, 3 July 2000, 03:35 pm
Walter Plinge
My original impetus for "reviewing" (cf. issues of "truth" etc.) anonymously was merely to protect myself from retribution and ill-thoughts by those who disagree with my opinion. On the one hand it is nice to see some debate about the ideas behind the practise of reviewing, as well as highlighting the subjectiveness of such practises and responses therein. On the other, though, the quite vehement denials of both the vailidity and value of such comments is disheartening. Obviously, no-one wants to hear bad things about themselves, their perfomance, their theatre company, their friends etc. but in my personal experience of the world of theatre, most people will compliment you wether they mean it or not, just to be polite. This does nothing (is not constrcutive) for me personally as an actor (oops revealed my gender!) as I would much rather hear peers' honest opinions to help me evaluate my own performance and maybe develop it in ways I/the director had not thought of. This is not to say that I wish to be insulted or I think that other people need to be, indeed my reviews are carefully considered and somewhat less harsh than they could be. In "reviewing" or commenting on a production I am humbly offering my thoughts so people gain a balanced view of how a production is recieved, not merely praise from friends and family. on a different thought it is quite strange to see how defensive community theatres are as they close ranks to defend oneanother.

Anyway - I hope to see more intelligent and passionate debate about these and other matters in the future.

luv SS =D (I'm really quite a sweet squirrel - honest!)

Thread (27 posts)

Bumpy AngelsWalter Plinge2 July 2000
← Back to Theatre Reviews