how do you evaluate a director's work?
Thu, 26 Mar 2009, 05:59 pmLisa Skryp49 posts in thread
how do you evaluate a director's work?
Thu, 26 Mar 2009, 05:59 pmI have been reflecting on my reactions to theatre that I see.
As an actor who has yet to tackle directing, I realise I generally look at things from that point of view. My observations re: lighting/set design/sound are generally minimal - unless it is particularly amazing or dreadful. Sad I know, but true.
As to the direction of a show, it is a similar thing for me; unless someone makes some very different thematic/interpretive/stylistic departure from the expected, I don't tend to notice & the lucky actors get all the credit for a great show.
To me it would seem that if a director has done a good job, no one will really notice, as the show will flow smoothly, tell the tale effectively & captivate as it should.
Just wondering - how do you evaluate a director's work? What are your thoughts on this, folks?
I know what you mean, I've
Tue, 12 May 2009, 10:56 amI know what you mean, I've worked with directors who have the blocking already set before the rehearsal process, this is obviously necesary in certain productions, however, I have also worked with directors who work WITH the actors, finding the character and that's where blocking, motivation and relationships gro from. I definately prefer the latter.
"On that line -sit"
Why?
I find it extremely paint by numbers and TV.
Theatre is a chance to really direct, really analyse, really 'act' and really understand why you're doing something, who you are and what the character feels...
I strongly believe rehearsal should be a process and a collaboration with the actors. The director has the final say but all input is important and useful in finding as much out as we can about the piece. (Big Stan fan)
I think too many preconceived ideas block creativity.
However, a director should obviously have done his research before the rehearsal process and be able to answer any questions the actor has about the technicalities like the era and any oher foundations or premises the piece is based around.
RJ