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Risk Analysis and Risk reduction

Thu, 24 July 2008, 10:10 am
Don Allen42 posts in thread
How many risks are you aware of when working in a theatre or even being in a theatre onstage or backstage. Electrocution Cuts Broken Bones Eye damage Hearing damage Community theatres have a responsability under the WA Occupational Safety and Health Act 1984 and WA OSH Regulations 1996 to provide a safe working environment. There may also be additional responsabilities imposed by local councils. As an individual you have the same responsabilities. These following links will provide usefull and productive information: Why productive ? if you maintain your venue and its equipment to a safe standard, you greatly reduce the setup times for shows and remove a lot of the glitches that may affect a performance. I did not use the work "accident" as I do not beleieve there is such a thing as an accident, anything that goes wrong is as a direct result of someone being incompetent or using unsafe work practices.! WA Occupational Safety and Health Act 1984 http://www.slp.wa.gov.au/pco/prod/FileStore.nsf/Documents/MRDocument:7379P/$FILE/OccupSftyAndHealthAct1984_05-g0-00.pdf?OpenElement WA OSH Regulations 1996 http://www.slp.wa.gov.au/pco/prod/FileStore.nsf/Documents/MRDocument:7552P/$FILE/OccupSftyAndHealthRegs1996_06-b0-00.pdf?OpenElement Risk Assessment (UK) http://www.hse.gov.uk/risk/fivesteps.htm The backsateg Information Guide - Bath University http://people.bath.ac.uk/su2bc/infoguides/index.shtml ABTT Theatre Essentials http://www.abtt.org.uk/PDFs/Theatre_Essentials.pdf Guidelines on the Application of the Health (Public Buildings) Regulations 1992 http://www.population.health.wa.gov.au/environmental/resources/Public%20Buildings%20Guidelines%20Final.pdf Safety Guidelines For The Entertainment Industry (Australian) http://www.entservices.com.au/pdfs/theatrereqs/AustnEntertainmentIndustrySafetyGuidelines.pdf In the absence of any formal training for amateur theatre technicians, then self education is the way to go. I suggest you download any of these documents that allow you to, as it is an excellent start to a library and sometimes web resources tend to dissappear. I always notify actors who walk under ladders when someone is working above them, that it would be a pity to waste all of their rehearsal time, only to miss out on performing because they have been injured during a tech rehearsal, so keep clear and be aware of their surroundings.

Gel frames are something

Mon, 28 July 2008, 04:18 pm
Gel frames are something normally forgotten about, besides the safety chains/cables. As they are steel frames they do make a deadly missile. Especially if they are ill fitting &/or held on with gaffer tape. I tend to despair when I'm a punter & look up. To see gel fluttering down, as everyone knows, gel on the deck, makes ones foot slide very easily. I have actually witnessed more occasions of gel frames jumping out & committing suicide, than lamps dropping in to visit invited.
Now I come to think of it, this is probably why a lot of comeatres use no gel, because they have misplaced the frames? Thus they can't be bothered beyond having open white lighting. when all they have to do is use an easily made up cable lanyard, clipped onto the frame & lamp. Or/& ensure the frame stays with the lamp & clip captivated in the slide track grooves. 
 Heres a thing next time your a punter take a look up at the the lighting over head, I bet you won't see a lot of safety chains utilised, although sometimes they may be obscure from view. In a lot of cases these days, you won't only view the FOH lighting bars, but also the lighting battens on stage, as there seems to be a trend toward not using Boarder drops anymore. This must be to give the punters extra value. By them viewing all the patch cable plug ups, bits of tape rubbish & not forgetting all the good old  cobwebs on the fixtures 'n fittings.
Which all adds to the punters reassurance of regular maintenance & risk assessment being carried out?

 

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