Are we too cheap?
Fri, 7 May 1999, 01:46 pmGrant Malcolm22 posts in thread
Are we too cheap?
Fri, 7 May 1999, 01:46 pmSetting ticket prices is a perennial problem for theatre companies. Community theatres in particular rely on return trade that they are reluctant to upset by bumping up ticket prices. Community theatres are keenly aware that affordability and value for money are significant factors in keeping an audience coming back for more.The last 12 months have seen some major community theatre companies recording annual losses in excess of a few thousand dollars. Is this due to mis-management, declining audiences, poor publicity or is it that our ticket prices are dimply too cheap?When did your company last put up it's ticket prices? How much was the rise? How did your audience respond? If you are using a shared venue, do you know how your prices compare with other groups using the same venue? What price rises has your company had to contend with in the last 12 months? Two years? Five years?I feel sure that many companies are suffering because they are attempting to absorb rising costs without putting up ticket prices. More insidious still, i know that many companies are finding that they are having to pay for facilities and services that were previously made freely available for community use. How long before your company is going to have to charge cast members $2 per night to cover the cost of your rehearsal space?I recently had the opportunity to look at the financial records of a community theatre company working in Perth in the 50-60's. The vast majority of their budgeted expenditure was on the staple items - props, costumes and set. How many companies now find they spend more on rehearsal space, performance rights, venue hire and paid publicity?Well-made plays well-acted on well-made sets with gorgeous costumes and intricate props were a trademark of community theatre until only a very few years ago. How many clubs now find they are running out of corners to cut? How often have we heard the phrase "minimalist set" used as a synonym for "we can't afford one"? How much of our audience has left us for the extravagence of towering barricades and crashing chandeliers?I earnestly believe that, if they are to survive, community theatre companies are going to have to charge substantially more for their tickets and look very seriously at opportunities for value adding, retargetting and repackaging their product. We'll need to start thinking about adding $5 to the ticket price and giving away programs, complimentary tea & coffee, free sherry and champagne and if you are doing all of these already then Tim Tams with the bikkies at interval. Better still, look closely at repackaging yourself as a "community" company and supplying home baked cakes and pikelets instead!*steps off soapbox*It must be someone else's turn :)CheersGrant
Re: Define Cheap.
Thu, 13 May 1999, 10:32 am> ...> the dreaded "C" word in front of it ("community",> that is). ...Well, it appears that Community when followed by Theatre has developedthe same stigma has Amateur has for almost anything.In my (rather limited I'm sure) experience, the public have generallyplaced Community Theatre and Amateur Theatre into the same thing. They'reabsolutley right in this judgement for sure, but wasn't the name changean attempt to cast new light on small Theatrical productions?Why did those making the desicion first decide to isolate our Theatreby usung a term that basically implies smallness?Before I go too far and start bagging the work thing, the very termCommunity has always made me think of small groups or very local.A Community Fair is a small thing usually done by schools or clubs.The Community News is a small and very localised publication.So the name of Amateur theatre groups (which sort of implies small)was changed to something which was more obvious!I realise this is in complete opposition to Grant's opinion ofCommunity and while he has gone for a nicer interpretation of theword, those particular elements are not those which most peoplefocus on. People tend to find the negative all to easily. Besides,community is not small and localised. I know of many people (myselfincluded) who will very happily travel from one end of Perth to theother to either see or be in a show. For this reason, CommunityTheatre is not localised and not really a group as such.I spent a very short time in London just recently but I did noticethat there is no stigma associated with small theatre groups. Theyalso do not disassociate themselves from professional theatre inany way. Theatre is simply theatre. Can we and should we completelydrop the adjective term for unpaid theatre? Why should we enforcethis division between us and them. Aren't we all here for the samereason, to enjoy performing, to feel the thrill of manipulating andaudiences emotions and getting the clap at the end? To feel thatsense of achievement?Get away from small, get away from groups, just simply be theatre.We are Theatre, we are Performers and we love our work!Jeff WatkinsGee, that soap-box feels reall good under-foot.
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