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how do you prepare for the evening's performance?

Wed, 1 July 2009, 11:36 pm
Lisa Skryp45 posts in thread
OK - my turn to ask a question of actors, directors & techies of all varieties - how do you prepare for the evening's performance? I tend to have a light, not too garlicky dinner, then prepare my ever-present travel mug of coffee & head to the theatre as early as practicable. I find music that suits my character - often look for a "theme song" to get me in the right mood for my character. This time it might be something by the Kinks, but still deciding. Singing in the car is warmup part one. If the show is a musical, there will of course be a fair bit more vocal exercises. Get to theatre; dump my gear; check/set my props/costume. Tooth brushing, enough costume for decency, warmup (see below) then makeup/hair, if I can do it in that order. I like to be ready early enough for last-minute disasters. Then I go around stashing my water bottle(s) here & there for easy access backstage. I enjoy group warmups that are to do with pace/group intuition, but on my own I like to do at least a little light stretching/relaxing excercises & go through my moves onstage, walking my way into character. I like to do a familiar speech (not necessarily from the current show) & work on projection & breathing. Depending on the physicality of my role I might get into a bit more of a physical warmup as well. Think that's roughly it. Might change a bit this time - we'll see... What's your routine?

Pre-show Preparations

Thu, 2 July 2009, 10:44 am
I generally like to get to the theatre at least 2 hours before curtain up - I like to think I'm attuning my energy to the theatre but it's probably more a case of maximising the time I have to socialise before getting down to business :) I will usually belt out a few songs in the car on the way which is a truly awful way to "ease the voice in" but it's fun, so I don't really care. Plus, I will undoubtedly smoke about 5 or 6 cigarettes before curtain up so whatever advantage I may have gained from a sensible vocal warm up would get destroyed anyway. I delay getting into costume/make-up for as long as possible so that I can maximise the energy boost I get from those things. I like to have the energy right up for curtain up as I find if I hit my first scene strongly the rest of the show will fall into place. I ALWAYS join in the whole cast warm-ups. More of that attuning stuff I was talking about - except this time it's about attuning myself to the ensemble. I like to think of my fellow cast and crew as a family and the warm-ups work as the family get together. Plus, most of the shows I've ever worked on the director/choreographer/MD like to give a few notes (even if it's just to say chookas for that show) at the end of the warm-up. I do try and find 10 minutes just before curtain up to sit quietly in my own little corner and focus - thinking about who I am about to be and the journey that I have ahead of me. I remind myself that I'm making the journey anew - I think it's important to approach each performance as if it's the first time I've done the show so that the audience gets a fresh performance. And I also try and channel the ever present nerves into energy for the performance. And last (but definitely not least) I do a walk around and share hugs and well wishes with the crew and cast :) DazzaB "Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep." Scott Adams

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