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how do you prepare for the evening's performance?

Wed, 1 July 2009, 11:36 pm
Lisa Skryp45 posts in thread
OK - my turn to ask a question of actors, directors & techies of all varieties - how do you prepare for the evening's performance? I tend to have a light, not too garlicky dinner, then prepare my ever-present travel mug of coffee & head to the theatre as early as practicable. I find music that suits my character - often look for a "theme song" to get me in the right mood for my character. This time it might be something by the Kinks, but still deciding. Singing in the car is warmup part one. If the show is a musical, there will of course be a fair bit more vocal exercises. Get to theatre; dump my gear; check/set my props/costume. Tooth brushing, enough costume for decency, warmup (see below) then makeup/hair, if I can do it in that order. I like to be ready early enough for last-minute disasters. Then I go around stashing my water bottle(s) here & there for easy access backstage. I enjoy group warmups that are to do with pace/group intuition, but on my own I like to do at least a little light stretching/relaxing excercises & go through my moves onstage, walking my way into character. I like to do a familiar speech (not necessarily from the current show) & work on projection & breathing. Depending on the physicality of my role I might get into a bit more of a physical warmup as well. Think that's roughly it. Might change a bit this time - we'll see... What's your routine?

Tim Tam

Thu, 2 July 2009, 09:19 am

I'm with Tim on this. None of this Vocal Warm-up stuff, always makes me feel like ... well ... making burrring sound and squealing at the top of my vocal range, and I hardly need a physical warm-up. Adrenaline does that alone!

For me, a nice standard meal with the family, do the dishes as usual, all the while thinking about the show, running it through my mind picturing the scenes.

Once the dishes are done and away, I then start thinking about getting ready. Depending on the show, I may apply some base make-up before leaving. If I have a costume, I ENSURE IT IS NEAR THE FRONT DOOR - doesn't guarantee I'll remember it but does improve the odds. Then I take my leave.

I have a selection of CDs that I will belt out at the top of my lungs as I drive to the theatre - vocal warm-up. If I have a concern with any lines, I will run them instead. Often get odd looks from other drivers. I smile and wave. Probably think I'm an escaped mental case. ;-)

I try to get to the theatre anywhere from 1/2 and hour to 15 mins before the half-hour call as I like a bit of space to prepare and focus, but that is often up to traffic. I like to ensure that any significant props I require are all ready to go and then I focus on getting into costume and make-up.

If I am not a starter and have more time, then I ensure I am there about 10 mins before opening. Sure way to get a quiet spot.

Once I am prepared, I usually leave a good 10 to 15 minutes for me to "channel my nerves" where I do not think about the lines or the show at all. I just focus on my butterflies and channel them elsewhere.

Then I step on-stage and it's like none of that crap even mattered.

Absit invidia (and DFT :nono:)

Jeff Watkins
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"ƃuıʇsǝɹǝʇuı ǝɟıן ƃuıʞɐɯ"

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