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Blood Brothers - Metcalfe Playhouse

Mon, 14 Nov 2011, 10:04 am
Sarah Miles14 posts in thread
My sister and I saw this production of Blood Brothers last Thursday at the Metcalfe Playhouse. Having moved from the UK only 2 years ago, I was excited to see a professional production arriving in Perth – I have seen the west end production twice before and loved it. My sister still lives in the UK but was over for a two week holiday so decided to surprise her with a night at the theatre and dinner at Sorrento Restaurant. This was the first time I had been to the Metcalfe Playhouse – what a great venue. Very comfortable seats and good views of the stage. Upon entering the theatre we were greeted with a very modest set. A red floor with two bodies outlined on it and a similar coloured wall running along the back with large images of Marilyn Monroe attached. Also lettering above the wall spelling out ‘Liverpool’ – I’m assuming to remind the audience of the location just in case we forgot (proved to be useful later upon hearing the accents). The band were also positioned on the left hand of the stage. Within the first 10/20 mins of the show beginning it was clear that this was not going to be a west end version of the show – everything seemed completely different. I assume that the director had taken artistic licence and approached this show from a different perspective (would be interested to know if they had seen the original) but we both felt that the passion and darkness of this beautiful show was lost through these changes. Accents seemed to be a major issue for most of the cast with only a handful achieving the scouse effect. The rest were made up of a variation of accents including south African and Irish. Surely this would have been a priority in approaching the show – some of them were just embarrassing. The other disappointment was the music itself. A very small group of musicians who are obviously very talented within their field but for some reason felt it necessary to turn the musical score into a jazz routine – why? The music in this show is fantastic and helps create the underlying darkness throughout – all this was shattered when the ‘jazz’ approach’ was taken on most songs. As an audience member it left me feeling flat and disconnected. Maybe I would have felt differently if I had not seen the original and had a bench mark already set. Overall the acting was okay – but again nothing special. Amanda (Mrs Johnstone) had a great loud character which initially seemed to provide a bit of a kick start to the show - but this soon wore off. Again not sure what the accent was and she seemed to lose her voice during the second act, so the grand finale “Tell me it’s not true” involved mainly chorus singing and not much Mrs Johnstone. Eddie was overall very good and was consistent, although Mickey was not. Mickey also had a huge accent issue and came across as a very disturbed boy for most of the show – abnormal. The brothers interaction at times seemed suggestive (Blood Lovers rather than Brothers) Linda was very good with a great presence and voice. Also the narrator was a pleasure to watch and Mrs Lyons. Overall the production was a little disappointing. Not sure if this was because we saw the show on a preview night. We paid $40 each to see the preview evening of what I assumed was a professional show and according to the website will be $67 normally. Not convinced that this is really a professional show and if audience get value for money. I noticed on Ticketek website that you can buy C reserve tickets for Mary Poppins at Burswood Theatre in 2012 for $40 a ticket. I may have a biased opinion based on the original production and perhaps this show would be enjoyable for those who have not seen it.

West Australian Review Today - Blood Brothers

Thu, 17 Nov 2011, 03:31 pm
Walter Plinge
Theatre Review: Blood Brothers DAVID ZAMPATTI, The West Australian Updated November 17, 2011, 12:30 pm Blood Brothers Willy Russell IAJ International The Metcalfe Playhouse Willy Russell, Amanda Muggleton and Perth are words that fit well together. For a substantial number of theatregoers, they may be all a reviewer needs to report, along with a number for bookings. It's easy to understand why. Muggleton has wowed our audiences, most notably in Russell's Educating Rita and Shirley Valentine, repeatedly and unfailingly for so many years that the actress and playwright are inextricably linked in our hearts and minds. But before you make that booking (call 9228 1455), a few words of warning: Unlike Shirley and Rita, Blood Brothers is a big cast show, and a musical to boot. While Muggleton's Mrs Johnstone is unquestionably its star vehicle, she's not the show's entire focus, or even its central character. And while it shares Russell's concern with Britain's class system and the trouble it causes, this is a darker, ultimately tragic, story with a much different mood than his other hits. The story, of twins separated at birth, is a literary staple (Russell's is based on Alexandre Dumas' The Corsican Brothers). Mrs Johnstone, confronted with more mouths to feed than she can manage, reluctantly gives one to the woman whose house she cleans, the barren, affluent Mrs Lyons (Sarah McNeill). Mickey Johnstone (Simon Thompson) and Eddie Lyons (Nick Maclaine) grow up in hugely different environments, even though they live at different ends of the same street. Inevitably, fate and propinquity bring them together, and the friendship that grows between them leads to an oath of brotherhood made in blood. Soon there is a third member of their little tribe, the spunky tomboy Linda (Julia Hern), but as the three kids grow to adulthood, the secret that binds them lies hidden. Director and designer John Senczuk leaves no doubt where this has to end, even if the show's opening number, like the prologue of Romeo and Juliet, hadn't already told us. The outlines of two bodies, drawn in police chalk, dominate the floor of his set, waiting for the blood brothers to fill. Senczuk has drawn together a mixture of seasoned and inexperienced performers for this production and, by and large, they acquit themselves well. Muggleton is in sassy, emotional form here - as in her most recent Perth appearance, in Black Swan's Madagascar, so reminiscent of Bette Midler (though this time the older, sadder Midler of Hello in There and I Think it's Going to Rain Today). Her voice showed signs of a tough rehearsal program but what Muggleton can't sing, she knows how to sell. Alongside her, McNeill was able to be both stiffly upright and broken at once in an admirable performance as the difficult Mrs Lyons. The keys to the show, though, are its three young friends. Maclaine showed why he won the Perth Theatre Trust/Equity Guild's best emerging talent last week with a handsome, intelligent performance as Eddie, while Hern was a revelation as Linda. Hern has done many things in and around the theatre in the past 15 years but this is her first role in a main-stage professional production. Mickey is a diabolical part, and Thompson was hard put to keep it together at times but he had his moments. His performance of the lovely Long Sunday Afternoon was a highlight of an ambitious production whose success, I suspect, is vital to the future of this brave new local professional theatre venture in Lake Street. Blood Brothers runs until December 4.

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