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Blood Brothers - Metcalfe Playhouse

Mon, 14 Nov 2011, 10:04 am
Sarah Miles14 posts in thread
My sister and I saw this production of Blood Brothers last Thursday at the Metcalfe Playhouse. Having moved from the UK only 2 years ago, I was excited to see a professional production arriving in Perth – I have seen the west end production twice before and loved it. My sister still lives in the UK but was over for a two week holiday so decided to surprise her with a night at the theatre and dinner at Sorrento Restaurant. This was the first time I had been to the Metcalfe Playhouse – what a great venue. Very comfortable seats and good views of the stage. Upon entering the theatre we were greeted with a very modest set. A red floor with two bodies outlined on it and a similar coloured wall running along the back with large images of Marilyn Monroe attached. Also lettering above the wall spelling out ‘Liverpool’ – I’m assuming to remind the audience of the location just in case we forgot (proved to be useful later upon hearing the accents). The band were also positioned on the left hand of the stage. Within the first 10/20 mins of the show beginning it was clear that this was not going to be a west end version of the show – everything seemed completely different. I assume that the director had taken artistic licence and approached this show from a different perspective (would be interested to know if they had seen the original) but we both felt that the passion and darkness of this beautiful show was lost through these changes. Accents seemed to be a major issue for most of the cast with only a handful achieving the scouse effect. The rest were made up of a variation of accents including south African and Irish. Surely this would have been a priority in approaching the show – some of them were just embarrassing. The other disappointment was the music itself. A very small group of musicians who are obviously very talented within their field but for some reason felt it necessary to turn the musical score into a jazz routine – why? The music in this show is fantastic and helps create the underlying darkness throughout – all this was shattered when the ‘jazz’ approach’ was taken on most songs. As an audience member it left me feeling flat and disconnected. Maybe I would have felt differently if I had not seen the original and had a bench mark already set. Overall the acting was okay – but again nothing special. Amanda (Mrs Johnstone) had a great loud character which initially seemed to provide a bit of a kick start to the show - but this soon wore off. Again not sure what the accent was and she seemed to lose her voice during the second act, so the grand finale “Tell me it’s not true” involved mainly chorus singing and not much Mrs Johnstone. Eddie was overall very good and was consistent, although Mickey was not. Mickey also had a huge accent issue and came across as a very disturbed boy for most of the show – abnormal. The brothers interaction at times seemed suggestive (Blood Lovers rather than Brothers) Linda was very good with a great presence and voice. Also the narrator was a pleasure to watch and Mrs Lyons. Overall the production was a little disappointing. Not sure if this was because we saw the show on a preview night. We paid $40 each to see the preview evening of what I assumed was a professional show and according to the website will be $67 normally. Not convinced that this is really a professional show and if audience get value for money. I noticed on Ticketek website that you can buy C reserve tickets for Mary Poppins at Burswood Theatre in 2012 for $40 a ticket. I may have a biased opinion based on the original production and perhaps this show would be enjoyable for those who have not seen it.

Thread (14 posts)

Sarah MilesMon, 14 Nov 2011, 10:04 am
My sister and I saw this production of Blood Brothers last Thursday at the Metcalfe Playhouse. Having moved from the UK only 2 years ago, I was excited to see a professional production arriving in Perth – I have seen the west end production twice before and loved it. My sister still lives in the UK but was over for a two week holiday so decided to surprise her with a night at the theatre and dinner at Sorrento Restaurant. This was the first time I had been to the Metcalfe Playhouse – what a great venue. Very comfortable seats and good views of the stage. Upon entering the theatre we were greeted with a very modest set. A red floor with two bodies outlined on it and a similar coloured wall running along the back with large images of Marilyn Monroe attached. Also lettering above the wall spelling out ‘Liverpool’ – I’m assuming to remind the audience of the location just in case we forgot (proved to be useful later upon hearing the accents). The band were also positioned on the left hand of the stage. Within the first 10/20 mins of the show beginning it was clear that this was not going to be a west end version of the show – everything seemed completely different. I assume that the director had taken artistic licence and approached this show from a different perspective (would be interested to know if they had seen the original) but we both felt that the passion and darkness of this beautiful show was lost through these changes. Accents seemed to be a major issue for most of the cast with only a handful achieving the scouse effect. The rest were made up of a variation of accents including south African and Irish. Surely this would have been a priority in approaching the show – some of them were just embarrassing. The other disappointment was the music itself. A very small group of musicians who are obviously very talented within their field but for some reason felt it necessary to turn the musical score into a jazz routine – why? The music in this show is fantastic and helps create the underlying darkness throughout – all this was shattered when the ‘jazz’ approach’ was taken on most songs. As an audience member it left me feeling flat and disconnected. Maybe I would have felt differently if I had not seen the original and had a bench mark already set. Overall the acting was okay – but again nothing special. Amanda (Mrs Johnstone) had a great loud character which initially seemed to provide a bit of a kick start to the show - but this soon wore off. Again not sure what the accent was and she seemed to lose her voice during the second act, so the grand finale “Tell me it’s not true” involved mainly chorus singing and not much Mrs Johnstone. Eddie was overall very good and was consistent, although Mickey was not. Mickey also had a huge accent issue and came across as a very disturbed boy for most of the show – abnormal. The brothers interaction at times seemed suggestive (Blood Lovers rather than Brothers) Linda was very good with a great presence and voice. Also the narrator was a pleasure to watch and Mrs Lyons. Overall the production was a little disappointing. Not sure if this was because we saw the show on a preview night. We paid $40 each to see the preview evening of what I assumed was a professional show and according to the website will be $67 normally. Not convinced that this is really a professional show and if audience get value for money. I noticed on Ticketek website that you can buy C reserve tickets for Mary Poppins at Burswood Theatre in 2012 for $40 a ticket. I may have a biased opinion based on the original production and perhaps this show would be enjoyable for those who have not seen it.
Walter PlingeMon, 14 Nov 2011, 04:09 pm

Another production

Be interesting to see what you think of this version - http://www.propel.org.au/events/753?Events[start]=20 - opening on 24th November
Walter PlingeTue, 15 Nov 2011, 10:24 am

My 2 cents

I’m excited to see this version! I’ve heard that the director has changed it around considerably and has presented an entirely new version of Blood Brothers. Too be honest I saw BB in London and found the West End production to be boring with a very dated musical score ... I didn’t enjoy the West End production at all and had I not heard of the changes in this production I wouldn’t have even considered going, it’s just not a good show! I think it’s great when an audience has an opportunity to see a “re-booting” of a dated show. I thought what Mr. Senczuk did with Les Mis was amazing and refreshing, who wants to see the same show done over and over again the exact same way that it is always done ... boring! I think people who truly appreciate theatre embrace change since it creates new challenges for the actors and the audience. Just my 2 cents!
Walter PlingeWed, 16 Nov 2011, 02:01 pm

Reality

http://www.theatre.asn.au/theatre_reviews/blood_brothers_the_musical_0
Walter PlingeWed, 16 Nov 2011, 02:26 pm

Reviews

What an incredible difference between this review and Gordon the Opt's! I'm much more likely to respond positively by going to see the show, even with all the drawbacks mentioned here, than after reading Gordon's eternally optimistic (and often misleading)reviews. Perth theatre should be aiming for perfection - all the patronising 'encouragement' it currently gets would have us believe it has already reached it! What a shame there is no name here - I would take note of your reviews in the future to see if I agree with them. Your "negativity" (read honest criticism) is refreshing.
Walter PlingeWed, 16 Nov 2011, 02:33 pm

ticket prices

I also find ticket prices here a big turn off. Who can afford $40 on a pension? Lower the ticket prices and you might increase your audiences. A full house at half the price is better than quarter full at full price!
Walter PlingeWed, 16 Nov 2011, 02:39 pm

Names

Found your name, Sarah. I'll look out for it in future - JP.
Gordon the OptomWed, 16 Nov 2011, 04:10 pm

critics

Sarah's report is written in a sincere tone, so I suspect that with the show being a preview the cast were still feeling their way. As you said 'Walter', good to hear someone else's opinion.

If ever you feel that you don't agree with anything that I say, please feel free to give as much constructive criticism as you wish. All plays have good nights and bad ones.

If you re-read my last few reviews you will see that all was not 'eternally optomistic'. I pay for many shows that I see, so am not obliged to give good reviews. Also I don't feel it fair to demolish a cast, who nine times out of ten, have spent months on their lines and giving their time free.

Read between the lines of my reviews. You will soon see if I really enjoyed a show. the last play at the Heath Ledger had the most brilliant script, yet most people that I have spoken to only 'saw' it on the most basic level and missed so many of the hidden messages. Their loss.

Keep up the good work Sarah.

Gordon

Walter PlingeWed, 16 Nov 2011, 10:42 pm

critics

Telling beginner actors that they don't have to gesture on every line or do not need to take a step forward to deliver a line or a step when receiving is not "demolishing a cast" - it is helping them towards better next time. Of course, it should be the director's job but if he fails in it, then the critic needs to take him/her to task. "Have spent months on their lines", then they should expect more from themselves. What standard can they perform to if the critic does not tell them what standard is expected? Glad you can afford to pay for so many shows, Gordon, but for those of us who can't - we have to choose our shows more carefully ... and find a critic we can trust.
Walter PlingeThu, 17 Nov 2011, 03:31 pm

West Australian Review Today - Blood Brothers

Theatre Review: Blood Brothers DAVID ZAMPATTI, The West Australian Updated November 17, 2011, 12:30 pm Blood Brothers Willy Russell IAJ International The Metcalfe Playhouse Willy Russell, Amanda Muggleton and Perth are words that fit well together. For a substantial number of theatregoers, they may be all a reviewer needs to report, along with a number for bookings. It's easy to understand why. Muggleton has wowed our audiences, most notably in Russell's Educating Rita and Shirley Valentine, repeatedly and unfailingly for so many years that the actress and playwright are inextricably linked in our hearts and minds. But before you make that booking (call 9228 1455), a few words of warning: Unlike Shirley and Rita, Blood Brothers is a big cast show, and a musical to boot. While Muggleton's Mrs Johnstone is unquestionably its star vehicle, she's not the show's entire focus, or even its central character. And while it shares Russell's concern with Britain's class system and the trouble it causes, this is a darker, ultimately tragic, story with a much different mood than his other hits. The story, of twins separated at birth, is a literary staple (Russell's is based on Alexandre Dumas' The Corsican Brothers). Mrs Johnstone, confronted with more mouths to feed than she can manage, reluctantly gives one to the woman whose house she cleans, the barren, affluent Mrs Lyons (Sarah McNeill). Mickey Johnstone (Simon Thompson) and Eddie Lyons (Nick Maclaine) grow up in hugely different environments, even though they live at different ends of the same street. Inevitably, fate and propinquity bring them together, and the friendship that grows between them leads to an oath of brotherhood made in blood. Soon there is a third member of their little tribe, the spunky tomboy Linda (Julia Hern), but as the three kids grow to adulthood, the secret that binds them lies hidden. Director and designer John Senczuk leaves no doubt where this has to end, even if the show's opening number, like the prologue of Romeo and Juliet, hadn't already told us. The outlines of two bodies, drawn in police chalk, dominate the floor of his set, waiting for the blood brothers to fill. Senczuk has drawn together a mixture of seasoned and inexperienced performers for this production and, by and large, they acquit themselves well. Muggleton is in sassy, emotional form here - as in her most recent Perth appearance, in Black Swan's Madagascar, so reminiscent of Bette Midler (though this time the older, sadder Midler of Hello in There and I Think it's Going to Rain Today). Her voice showed signs of a tough rehearsal program but what Muggleton can't sing, she knows how to sell. Alongside her, McNeill was able to be both stiffly upright and broken at once in an admirable performance as the difficult Mrs Lyons. The keys to the show, though, are its three young friends. Maclaine showed why he won the Perth Theatre Trust/Equity Guild's best emerging talent last week with a handsome, intelligent performance as Eddie, while Hern was a revelation as Linda. Hern has done many things in and around the theatre in the past 15 years but this is her first role in a main-stage professional production. Mickey is a diabolical part, and Thompson was hard put to keep it together at times but he had his moments. His performance of the lovely Long Sunday Afternoon was a highlight of an ambitious production whose success, I suspect, is vital to the future of this brave new local professional theatre venture in Lake Street. Blood Brothers runs until December 4.
Walter PlingeFri, 18 Nov 2011, 06:43 pm

Honesty

I saw this show on one of the preview nights and tend to agree with Sarah's comments above. I struggled with the accents being inconsistent - I know that Liverpudlian accents aren't easy, but even if the cast had been off location wise but consistent across all the actors, I think it would have been better. I felt the show lacked a lot of character development - this may have been to do with the short rehearsal period - and so I didn't feel emotionally attached to the show. I also felt that the ensemble spent excessive time on stage when they really weren't required, and I found it distracting. Unfortunately I can't afford to see the show again, as I'd like to see if it has improved as Gordon's comment above suggests. *author note: I know I'll draw some criticism for not signing this post - I have my reasons, and if people have issues with that, c'est la vie*
osullivankateFri, 18 Nov 2011, 06:53 pm

Shameless Self Promotion

I apologise in advance for shamelessly promoting on someone else's review - but Sarah (and anyone really), I'd love to see what you think of the version of this show that's going to start next week in Wanneroo [I'm a part of the ensemble]. Details can be found here: http://www.limelighttheatre.com/ or here: http://www.theatre.asn.au/production/2010/blood_brothers
Walter PlingeWed, 7 Dec 2011, 12:54 am

have to agree

I had to write a review for this show for a course i'm doing and I was so worried I was being overly negative and then I read this review. I said a lot of the same things (and I haven't ever seen the show before and I also saw the second last show so I'm afraid not much changed) bottom line I think is that for $67 a ticket and being proffestional show, I can't believe how flat most of it felt and the accents were a big problem. stand out performances from Eddie, Linda, the narrator. and a big nod to the chorus for their seamless intergration into different characters.
Walter PlingeWed, 7 Dec 2011, 09:34 am

Check out the other

Check out the other version: http://www.theatre.asn.au/perth/try_the_other_blood_brothers_a_musical_spin_on_a_tale_of_twins
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