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The Boys

Fri, 19 Feb 2010, 10:59 am
Alvy Singer10 posts in thread
As Gordon's review stipulates, The Boys’ was written by Perth playwright, Gordon Graham, at the age of 42. This is significant because he is clearly writing about boys, despite being middle aged, meaning he must be a very good writer. A quick google search reveals that Gordon is also an American journalist and research consultant. A very talented man indeed. Gordon (the Optom) said that the boys is autobiographical, which worries me deeply as this play is based on the Anita Cobby case. Do not look this up, especially if you are eating any meat-based products. I think Gordon (the playwright) has a lot to answer for. I might just call the DPP now. The play won an Australian Writers' Guild award in 1992, which means he must have paid his fees for that year and that there were no spelling errors in the copy submitted for adjudication. It is presented by the Old Mill Theatre, Mends Street, South Perth playing nightly at 8pm, until 20th February, with a 2.00 pm matinee. So, what did I think about my night out to the theatre? Well firstly, I went to the Irish Club for pie and pint night (only $15), which I thought was extremely good value. Then I went and had a hot fudge sundae. After buying my tickets, I sipped on a bottle of little creatures that was somewhat lukewarm. Overall, a very mixed start to the evening. Now, I must give a disclaimer. I don't watch plays like everyone else watches plays and therefore my review may be somewhat different. As someone who trained with Lee Strasberg in the early 50s, it is both a blessing and a curse to watch other productions. What I wouldn't give to have been trained by Hayman theatre, like the rest of Perth's poor, unfortunate mob. Any negative comments I make relate directly to the performance of the night from an actor's perspective. I don't want to offend any of the actors. So, what are my thoughts about this play? Well, far be it for me to judge, but I am pretty sure I have seen a lot of the props in previous Old Mill productions. Was that table set used in Street Car? I know that the outdoor set was exactly the same one from the Sum of Us. I half expected the brothers to start making out - NOW THAT IS A PLAY PEOPLE! Also, why did the director insist on using that annoying music from her production of Trainspotting so frequently? It was like "here's a dramatic moment, whack on that crappy track". Cutting straight to the point, whilst being brutually honest ... a hard thing to do ... I think the acting and the show was alright. However, Julian Hern's perm really stole the show. Congratulations Julia. I couldn't stop looking at it.

I think we may be missing a point (possibly)

Fri, 19 Feb 2010, 05:46 pm
I think the author (I won't venture an opinion on who that may be [extra large wink]) may have been gently mocking an earlier review and satirising it somewhat - at least I hope so 'cos I got feelings man ;) It may not be in tune with everyone's sense of humour but I think it was done tongue in cheek and was just a bit of fun - nothing more. And whilst I defend the earlier reviewers right to post their opinions, I equally defend anyone's right to take the urine as it were. Read Christian's review again and then Mr Singer's review and draw your own conclusions. Hey, if the play I'm in draws a bit of light-hearted banter and riposte then so be it. Kudos gentlemen. Robert, sheath thy dagger - I know you mean well :) but I think it was just a lark that may have been a smidgeon too opaque for a casual read to see through. And the author is correct - it IS indeed a damn good (fake) perm!!! Last two nights of THE BOYS so get along and see it. As usual, three days out from the season closing I think I'm finally in the groove with the character (scary thought). If not, feel free to post a review stating how crappy I am and take aim at the temperature of Old Mills beer stock. Whilst I'm talking about the production many thanks to Norma, Robert, Phil, Hywel (welsh git), the crew of The Boys and all the other behind the scenes and FOH people associated with the production. Robert, thank you for stepping in and attending the lighting (or was it the sound) as an emergency last night. God bless yas all.

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