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2008 Finley Award Winners

Sun, 18 Jan 2009, 02:45 pm
Kimberley93 posts in thread
Certificates for Finley awards 2008 For coping with a difficult script - Judith Lauhehr, What Are Little Girls Made Of, Kwinana Theatre Workshop For Comic timing . Susannah Devenish and Robert Whyte, How the Other Half Loves, Harbour For impressive and balletic sock removal skills, Gordon Park for Bedfull of Foreigners Wanneroo Repertory. Make up certificate for Bobby Chapman, Malita Morrison, Judy Sarcia for Edwin Drood , Roleystone. Best Staged Accident : Matt Sheehey , “This is Our Youth” , Blak Yak Most energetic villain performance in a pantomime” Graham Miles for Aladdin, KADS Most impressive prop on stage this year: the Jolly Roger, Peter Pan, Darlington Theatre Players For practical lighting co ordination – Gaslight, John Spurling, Old Mill Theatre For Atmospheric lighting – John Woolrych, “bare” Playlovers For sound coordination – Dan Mitton and Norm Kirton for Peter Pan , Darlington Theatre Players Most sensitive and moving characterisation – Chris Bedding, Amigos, Garrick Theatre. For perfectly timed comedy: the cast of “ How about That” at Garrick Theatre. Best Actor Winner: Alex Jones : This is our Youth – Blak Yak Theatre. Best Actress Winner: Kristen Berry: Deus Ex Quanta: Blak Yak Theatre. David Crewes Award for Excellence in Set Design and Construction Winner: Suddenly at Home: Melville Theatre Company Best Costumes Winner: Venetian Twins: Old Mill Theatre. Best Choreography Winner: Jess Dun, Bullet Betty Vareska: The Directive of Six: UDS Best Other than Lead Male: Winner: Phil Barnett: The Sum of Us: Old Mill Theatre. Best Other than Lead Female: Winner: Barbara Reynolds : Amys View KADS Best Director Winner: Teresa Felvus: Deckchairs: KTW Mary Webb Award for Direction of A Musical Winner: Alex McLennan: Hot Mikado : Wanneroo Rep. Elizabeth Crewes Award: Old Mill Theatre. Sheila Buchanan Award: Stage Left Theatre Troupe, Goldfields for innovation and creation of concept. Brian Maddocks Youth Award: Jono Hopkins, Alive In Wonderland, Stirling Players Best Musical Direction; Winner: John McPherson : Bullet Betty Vareska:The Directive of Six UDS Yvonne Lynch Award for Outstanding Breakthrough Performance: Winner: Michael Abercrombie: Bullet Betty Vareska: The Directive of Six: UDS Best Musical theatre Performer: Winner: Leo Dounsborough: the Mystery of Edwin Drood: Roleystone Top Ten Plays Jake’s Women: Old Mill Much Ado about Nothing: GRADS Venetian Twins: Old Mill Butterflies are Free: Marloo Deckchairs: KTW Wuthering Heights: Harbour theatre The sum of Us: Old Mill This is our Youth . Blak Yak Dangerous Obsession: Old Mill How the Other Half Loves: Harbour Top three Plays in order 1. Deckchairs: KTW 2. The Sum of us: Old Mill Theatre 3. Butterflies are Free: Darlington Theatre Players Top Five Musicals Hot Mikado , Wanneroo Rep The Mystery of Edwin Drood: Roleystone Fame: Wanneroo Rep Bare: Playlovers Bullet Betty Vareska, The Directive of Six: UDS Top three Musicals in Order 1.Bare: Playlovers 2. Fame: Wanneroo Rep 3. Bullet Betty Vareska, The Directive of Six; UDS

Popping bubbles

Tue, 3 Feb 2009, 10:36 pm

Hate to pop your bubbles Jmuzz and Robert but Logos is entirely correct.

Logos' vote last night was sufficient to tip the DavidWilding39 post into oblivion. 

For those that are interested, there's a complex weighting system in place for votes. A post starts with a certain number of points depending on whether it was contributed by a new member, a contributor, editor or admin. A range of positive and negative vote values are available when moderating. Votes from the members with various roles also vary in value. The value of all votes is added together. If a post has sufficient votes, its score may eventually reach a threshold where the post is promoted to the home page. However, if it is given negative votes, as with the DavidWilding39 post, it can be voted out of existence.

I should probably provide a little barometer that lets people know when a post or comment is about to disappear or be promoted and then you can decide whether you want your vote to tip it one way or the other.... hmmm....

Jmuzz wrote:
> For a start, the ITA doesn't run this site -
> any Walter can post (which is rapidly proving to be
> it's undoing). The ITA neither monitors or moderates
> any of the comments. Removal of any comments is
> solely the responsibility of the non-ITA appointed web
> administrator who is VERY loathe to delete anything as
> he believes it discourages free speech.

Strictly speaking Jmuzz is correct that the ITA has little if anything to do with the administration of this site. While I originally developed this site nearly 11 years ago to further some of the objectives of the ITA, the particular objectives in question were always bigger and broader than the ITA membership itself and the site reflects this broader scope. 

However, while I support freedom of expression, I don't regard myself as an advocate of speech free from responsibility. While I argue occasionally for tolerance of alternative views and modes of expression, my reasons for only deleting content in response to specific and particular complaints and not deleting anything at a personal whim are far more practical. Like the disclaimer says, if you post it - it's your responsibility. If you don't like something someone says here, complain to me and I'll remove it. That's a responsibility I'm willing to fulfill.

In case a very few people were too busy whinging about awards to notice, there's an awful lot of other productive and useful things happening on this site. In the past week alone 42 new events and topics and more than 180 comments were added! That's about thirty new things per day.

So enough of this. Go and join a useful thread:

http://www.theatre.asn.au/billboard_bulletins/10_things_i_love_about_the_ita

:-)

Cheers
Grant

--
Director, actor and administrator of this website

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