2008 Finley Award Winners
Sun, 18 Jan 2009, 02:45 pmKimberley93 posts in thread
2008 Finley Award Winners
Sun, 18 Jan 2009, 02:45 pmCertificates for Finley awards 2008
For coping with a difficult script - Judith Lauhehr, What Are Little Girls Made Of, Kwinana Theatre Workshop
For Comic timing . Susannah Devenish and Robert Whyte, How the Other Half Loves, Harbour
For impressive and balletic sock removal skills, Gordon Park for
Bedfull of Foreigners Wanneroo Repertory.
Make up certificate for Bobby Chapman, Malita Morrison, Judy Sarcia for Edwin Drood , Roleystone.
Best Staged Accident : Matt Sheehey , “This is Our Youth” , Blak Yak
Most energetic villain performance in a pantomime” Graham Miles for Aladdin, KADS
Most impressive prop on stage this year: the Jolly Roger, Peter Pan, Darlington Theatre Players
For practical lighting co ordination – Gaslight, John Spurling, Old Mill Theatre
For Atmospheric lighting – John Woolrych, “bare” Playlovers
For sound coordination – Dan Mitton and Norm Kirton for Peter Pan , Darlington Theatre Players
Most sensitive and moving characterisation – Chris Bedding, Amigos, Garrick Theatre.
For perfectly timed comedy: the cast of “ How about That” at Garrick Theatre.
Best Actor
Winner: Alex Jones : This is our Youth – Blak Yak Theatre.
Best Actress
Winner: Kristen Berry: Deus Ex Quanta: Blak Yak Theatre.
David Crewes Award for Excellence in Set Design and Construction
Winner: Suddenly at Home: Melville Theatre Company
Best Costumes
Winner: Venetian Twins: Old Mill Theatre.
Best Choreography
Winner: Jess Dun, Bullet Betty Vareska: The Directive of Six: UDS
Best Other than Lead Male:
Winner: Phil Barnett: The Sum of Us: Old Mill Theatre.
Best Other than Lead Female:
Winner: Barbara Reynolds : Amys View KADS
Best Director
Winner: Teresa Felvus: Deckchairs: KTW
Mary Webb Award for Direction of A Musical
Winner: Alex McLennan: Hot Mikado : Wanneroo Rep.
Elizabeth Crewes Award: Old Mill Theatre.
Sheila Buchanan Award: Stage Left Theatre Troupe, Goldfields for innovation and creation of concept.
Brian Maddocks Youth Award: Jono Hopkins, Alive In Wonderland, Stirling Players
Best Musical Direction;
Winner: John McPherson : Bullet Betty Vareska:The Directive of Six UDS
Yvonne Lynch Award for Outstanding Breakthrough Performance:
Winner: Michael Abercrombie: Bullet Betty Vareska: The Directive of Six: UDS
Best Musical theatre Performer:
Winner: Leo Dounsborough: the Mystery of Edwin Drood: Roleystone
Top Ten Plays
Jake’s Women: Old Mill
Much Ado about Nothing: GRADS
Venetian Twins: Old Mill
Butterflies are Free: Marloo
Deckchairs: KTW
Wuthering Heights: Harbour theatre
The sum of Us: Old Mill
This is our Youth . Blak Yak
Dangerous Obsession: Old Mill
How the Other Half Loves: Harbour
Top three Plays in order
1. Deckchairs: KTW
2. The Sum of us: Old Mill Theatre
3. Butterflies are Free: Darlington Theatre Players
Top Five Musicals
Hot Mikado , Wanneroo Rep
The Mystery of Edwin Drood: Roleystone
Fame: Wanneroo Rep
Bare: Playlovers
Bullet Betty Vareska, The Directive of Six: UDS
Top three Musicals in Order
1.Bare: Playlovers
2. Fame: Wanneroo Rep
3. Bullet Betty Vareska, The Directive of Six; UDS
If you're referring to the related thread.....
Tue, 3 Feb 2009, 11:35 am....I suspect it was deleted because Grant was advised that failure to do so may result in legal action. Whatever the reasons, it has nothing to do with the ITA.
Grant, could you clarify?
If you're referring to this thread, read on anyway.
I suggest you seek clarification before you dump on the ITA. Given the ITA seems to be the blame for everything bar the Global Credit Crisis (and I'm sure there is a Walter or two who is working to prove a link) the question needs asking - If you think the ITA is doing things wrong, what alternative structure would you suggest (practical suggestions only please), why aren't you volunteering to become part of the committee to see in your brave new vision for the community theatre future, and why don't you feel so strongly about your ideas that you are prepared to actually put your name to them?
People complain that their "ideas" are dismissed or shot down by the "ITA" on this website, that they aren't taken seriously, that there is a clique conspiracy.
For a start, the ITA doesn't run this site - any Walter can post (which is rapidly proving to be it's undoing). The ITA neither monitors or moderates any of the comments. Removal of any comments is solely the responsibility of the non-ITA appointed web administrator who is VERY loathe to delete anything as he believes it discourages free speech.
However, seeing as you have spoken, how can ANYONE take you seriously if you aren't prepared to put your name to your ideas? How can anyone believe you're not just another faceless trouble-making Walter? That's your problem, not the ITAs or anyone elses. It was YOUR decision.
Y'see what separates those who have identities behind their handle and are prepared to display them from the Walters of this world is that they seem (as a general rule) to be less inclined to fire off smart-arse one-liners. They seem to be the very people who actually put in and do the work in community theatre as opposed to sitting back and saying grandly "You're doing it all wrong!".
So, here's a tip - want to taken seriously? Put your name up there in lights and make your argument cogent and constructive. I'll be the FIRST to defend you and your right to say whatever you want to.....as long as it's put politely, sensibly and you have the courage of your convictions.
With regard that related thread, David Wilding had every right to say what he said....right up until he took an emotive pot-shot at someone. It wasn't needed - he could have made his argument without doing that. That was rude and it deserved the scorn it got and made everything else he said seem open to question.
With regard your post - "clearly the ITA don't want feedback and constructive criticism" - y'see, emotive, incorrect, and unsupported. You didn't seek clarification, your suspicions are wrong because the ITA doesn't run the site, and it therefore makes you sound like you have an axe to grind and no real argument to bring.
There are plenty of people here willing to listen to you - just ground your comments in fact, not fantasy. Seek clarification in need but don't get on your high horse and deliver a spray unless you've thought it through first.
- ···
- ···
- ···
- ···
- ···
- ···
- ···
- ···