Theatre Australia

your portal for australian theatre

WA Repeats

Sat, 16 Feb 2008, 01:30 pm
dead28 posts in thread
Just a thought about WA Theatre and the lack of inspiration to try something different - every year is like a repeat. Consider the following: 1) 2007 Limelight Theatre - Cabaret // 2008 Kwinana Theatre Workshop - Cabaret Tough act to follow - winner of Best Musical 2007 Finley’s (so why?) 2) 2007 GRADS - Importance of being Earnest // 2008 Limelight - Importance of being Earnest This show is done almost every year - lets make a joint promise to give it a break for 5 years! 3) 2008 Marloo - Pirates of Penzance // 2008 G&S Society (city) - Pirates of Penzance I know which production I would rather see!! 4) 2006 Playlovers - Seussical // 2008 Mandurah - Seussical Again another tough match - give it a few years to settle And there are lots more - this does not help create a fresh theatrical market. Two points: 1) let's mix it up a bit and ensure we are not repeating ourselves (5 year gaps) 2) Take risks - too many theatres just play it safe - take a chance; there is so much more theatre work out there which has yet to be touched. Just thoughts ......... DW

Lies, damn lies and Brechtian quotes.

Thu, 21 Feb 2008, 09:06 am
It is interesting that 'Man in the Street' allegedly quotes Bertholt to support his specious argument that theatre is merely entertainment. BB was the eptome of the opposite view, as can be seen from this quote from wikipedia: " Above all things that theatre was and what he wanted theatre to be, Brecht believed that the theatre's broadest function was to educate. "It is the noblest function that we have found for 'theatre'".[55] Brecht wanted the answer to Lenin’s question ‘Wie und was soll man lernen?’ ('How and what should one learn?'). He created an influential theory of theatre, the epic theatre, wherein a play should not cause the spectator to emotionally identify with the action before him or her, but should instead provoke rational self-reflection and a critical view of the actions on the stage. He believed that the experience of a climactic catharsis of emotion left an audience complacent. Instead, he wanted his audiences to use this critical perspective to identify social ills at work in the world and be moved to go forth from the theatre and effect change." I think the earlier quote was probably really from Robbie Williams! Ssstinger>>>

Thread (28 posts)

WA Repeatsdead16 Feb 2008
← Back to Billboard Bulletins