Advice sought from set builder / designer

"stupid playwrights who pay no creedence to feasability" I know that's probably a sarcastic comment, but as a playwright I know I think about set and the possibilities of it moving on and off. As a director of plays I try and put myself into the eyes of the playwright and think what they would be thinking about set at the time of writing. If scene change music goes for a certain amount of time it's for a reason. If there is a minor set which turns into a major set with virtually non scene change music I think of a curtain to hide the change. It's these little clues within the script that to me point out how 'feasible' a set should be. Almost like an instruction sheet for building set. Surely a set has to be designed to fit with changes...if your set isn't going to work out, maybe it's too big, too indepth or something like that...rather than a flaw of the play. ...in saying that I have seen some tight set changes, but have always found ways to work them out. ____________________________________________________________ Currently working on: A nice break before jumping into my next project.