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Heartworm

Wed, 9 Nov 2011, 07:57 am
Gordon the Optom7 posts in thread

‘Heartworm’ was written by Equity Award winning actor, Shirley Van Sanden. Shirley is also in receipt of multiple AWGIE nominations for her writing. ‘Heartworm’ is her first self-authored ‘Solo Spot’, and earlier this year she performed the fundamentals of this play in the ‘Barefaced’ collection; it has since been developed with the assistance of Stages (The WA Playwrights’ Consortium). This is a Blue Room Theatre and Blue Moose (World First) presentation, showing in The Blue Room Theatre main theatre, 53 James Street, Northbridge until Saturday 26th November, with all shows at 7.00 pm.

 

       Standing in the airport at some unearthly hour of the morning, waving goodbye to her husband Chris, who is off to yet another conference stands Ann Hill, a veterinary surgeon. At last he goes through the scanning arch and disappears. With some relief, Ann is free to go to the gym. 

      The benefits of the exercises soon vanish when she returns to one of her two practices and finds a Dirofilaria immitis sufferer. However, it isn’t the dog that is the problem, but its owner Mr Forbes. 

      Ann loves the animals, but with a household of progeny animals at home things can be tough.

 

‘Heartworm’ is superbly written story which takes us from the routine of everyday, to confronting situations and tragedy. This 75-minute one-man play was filled with fascinating topics, fresh ideas, comedy and poignant moments. A rich script crammed full with several original themes.

Directed by Craig Williams and herself, Shirley kept the pace moving rapidly, perhaps a little too rapidly at the beginning, but the performance was energy-packed as she ran around the stage filling the air with her magnetism. With an expressive face and various accents, from Kiwi to cockatiel, she grabbed the audience and held their interest without a single flicker in her performance.

The stage and walls were black, the only props being a scarlet chair and a table, however the wonderful graphics (Alex Manfrin) and the exciting video (Nancy Jones) added a backdrop to each scene. The first-class soundscape (Craig Williams) was complex and accurate, with Shirley being in total sync.

Shirley’s costume was a smart black, A-line skirt and black polka dot blouse – and scarlet shoes with smiling cats’ faces on the toes. Beautiful.

A very good clever play, abounding with interest and splendidly performed. An amazing performance.

Thread (7 posts)

Gordon the OptomWed, 9 Nov 2011, 07:57 am

‘Heartworm’ was written by Equity Award winning actor, Shirley Van Sanden. Shirley is also in receipt of multiple AWGIE nominations for her writing. ‘Heartworm’ is her first self-authored ‘Solo Spot’, and earlier this year she performed the fundamentals of this play in the ‘Barefaced’ collection; it has since been developed with the assistance of Stages (The WA Playwrights’ Consortium). This is a Blue Room Theatre and Blue Moose (World First) presentation, showing in The Blue Room Theatre main theatre, 53 James Street, Northbridge until Saturday 26th November, with all shows at 7.00 pm.

 

       Standing in the airport at some unearthly hour of the morning, waving goodbye to her husband Chris, who is off to yet another conference stands Ann Hill, a veterinary surgeon. At last he goes through the scanning arch and disappears. With some relief, Ann is free to go to the gym. 

      The benefits of the exercises soon vanish when she returns to one of her two practices and finds a Dirofilaria immitis sufferer. However, it isn’t the dog that is the problem, but its owner Mr Forbes. 

      Ann loves the animals, but with a household of progeny animals at home things can be tough.

 

‘Heartworm’ is superbly written story which takes us from the routine of everyday, to confronting situations and tragedy. This 75-minute one-man play was filled with fascinating topics, fresh ideas, comedy and poignant moments. A rich script crammed full with several original themes.

Directed by Craig Williams and herself, Shirley kept the pace moving rapidly, perhaps a little too rapidly at the beginning, but the performance was energy-packed as she ran around the stage filling the air with her magnetism. With an expressive face and various accents, from Kiwi to cockatiel, she grabbed the audience and held their interest without a single flicker in her performance.

The stage and walls were black, the only props being a scarlet chair and a table, however the wonderful graphics (Alex Manfrin) and the exciting video (Nancy Jones) added a backdrop to each scene. The first-class soundscape (Craig Williams) was complex and accurate, with Shirley being in total sync.

Shirley’s costume was a smart black, A-line skirt and black polka dot blouse – and scarlet shoes with smiling cats’ faces on the toes. Beautiful.

A very good clever play, abounding with interest and splendidly performed. An amazing performance.

Walter PlingeThu, 10 Nov 2011, 02:15 pm

Heartworm

Apologies for the lack of programmes on first preview night which would explain the slight mix up. Alex Manfrin was responsible for the graphic design for the the posters and fliers for Heartworm. All the Projection Art is the work of Nancy Jones.
crgwllmsFri, 11 Nov 2011, 03:15 am

I don't think I would've

I don't think I would've called it a one-man play: there was myself assistant directing and creating sound, and there was Joe Lui, who designed the lighting. But most of the team are female and clearly it's a one-woman show! Glad you enjoyed it, Gordon! Cheers, Craig ~<8>-/====\---------
Gordon the OptomFri, 11 Nov 2011, 08:47 am

One man show

If it is a one-woman show and Shirley is an actor, no longer an actress, shouldn't it be a one-man show? Bring back the sanity of the old politically incoirrect days.

Good on ya Craig, you have done some top quality work recently.

Gordon

Walter PlingeMon, 14 Nov 2011, 05:29 pm

Good comeback, but I think

Good comeback, but I think somewhere in the past annals of this website I wrote an argument as to why I reckon saying 'female actor' rather than using the word 'actress' is even more discriminatory and kind of stupid than the old way some now consider 'politically incorrect'. I don't see anything wrong with language differentiating between gender. It only becomes political when an assumption is made about superiority or inferiority. Or when we think calling a female solo show a "one man show" is somehow more correct. "Actress" is simply a point of fact. No better or worse than "actor", just different. Cheers Gordon. Rehearsing "Taking Liberty" right now. Hope I continue to live up to expectations. Crgwllms
Walter PlingeTue, 15 Nov 2011, 10:54 pm

correct credits

Thanks for correcting the crediting of the shows visuals. Kind regards Nancy Jones - Digital Designer/Projection Artist Heartworm NancyJones
Walter PlingeTue, 15 Nov 2011, 10:56 pm

correct credits

Thanks for correcting the crediting of the shows visuals. Kind regards Nancy Jones - Digital Designer/Projection Artist Heartworm NancyJones
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