12th Night - A (Love) Toy Story
Wed, 16 Mar 2011, 12:38 pmDavid Gregory22 posts in thread
12th Night - A (Love) Toy Story
Wed, 16 Mar 2011, 12:38 pm**Righto - I know, disclaimer. I know just about everyone in this show, have worked with many of them, or been long time friends. I have been told however that I have just as much right to comment on this production as I had absolutely nothing to do with it.**
Firstly, congratulations to cast and crew for a truly fascinating evening of Shakespeare. When I first heard of the idea of setting this classic using children's toys, I must say that the skeptic in me said "Oh yeah...interesting concept." Oh ye of little faith. This production managed to hold true to the charm and richness of this Shakespearean comedy, whilst presenting it in a light that could not help but make you smile.
From the outset, as Viola and Sebastian's Raggedy Anne and Andy made their way on to the stage, through Orsino's GI Joe, Sir Andrew's (mindblowingly awesome) Noddy to the Betty Booping Olivia, a smile could not be erased from my face. And it was from the very start of this production when I realised this idea would work. Set a timeless piece to timeless characters. Inspired really.
Again Jonno Beckett delivered the goods with a supersized set that dwarfed the children's characters, lighting once again a top notch job from my old mate Josh Veitch and a beautifully managed production all round. Good on ya Glynis and Elethea.
That's not to say that there weren't a few slow points. The first act at times was a little tired, and some scenes seemed to lose momentum, but they really brought it home in the second act. It just flew, and whenever Sir Toby and Sir Andrew got on stage, they brought a vitality and energy that seemed to lift the whole show. Special mention should be made to John Taylor and Rodney van Groningen for their performances of these characters. High octane stuff guys, and you managed to keep it at that level and beyond.
Also to Krysia with the unpronouncable surname, a flawless Viola. You had me rivetted whenever you appeared. Such presence and poise. Perfect. And to Laura with the equally hard to say surname - Just loved your Mary and your little lamb. Perfectly cast as the little truth bending, vixen. Loved it!
Tom Rees' Malvolio (Big Ted) was a joy to watch, and played the "madman" as I ever imagined him being, and Grace Edwards did a great job as the jack-in-the-box, Feste.
The ensemble complimented the cast with precision, and all round a really enjoyable experience. I must say I do like my Shakespeare a little dirty, and some of the direction had me bursting out laughing at the way the language (and lap smelling and pulling) explored the grotty side of WS. After all he was writing for the masses, and the direction did just enough to not go over board, but preserve some of the particularities of Will's dirty side.
Thanks to all, and I will certainly be back to see it again.
Once upon a time, in a
Fri, 25 Mar 2011, 04:38 pmOnce upon a time, in a major regional city in Queensland, there was a reporter on the local rag whose job included reviewing local and incoming touring theatre. He wasn’t all that keen on theatre – he was a League man, actually, and didn't want to have a bar of all those fairies poncing around on stage. Usually by half time, he was nodding off, so he would collar some-one in the foyer who knew how the play ended, go home and write his review.
One night, however, the theatre burned down after interval, but nothing of this was reported in the general news of the day, nor in Harry’s ‘review’. He was consequently accorded the sobriquet ‘Half-time Harry’.
When eventually he died, the theatre community bought a floral tribute, cut it in half, rolled up to the funeral and reverently laid the bottom half, the stalks, on the coffin and half-way through the Requiem Mass, they stood en mass, so to speak, and – exeunt omnes.
Now, what can we say about a review trying to masquerade as a non-review written by someone baptised, apparently, 'Always Working Artists' who walked in after half time? How much notice do we take of it? Not much, I suggest.
It must be really tough,Always,to have missed out on a sense of humour. Or perhaps you hadn't noticed.
PHILLIP MACKENZIE
PHILLIP MACKENZIE
FLIPMAC