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Shorts - Old Mill

Sat, 4 Sept 2010, 04:00 pm
Gordon the Optom9 posts in thread

‘Shorts - a season of short plays’ is showing at The Old Mill Theatre, Mends Street, South Perth nightly at 8.00 pm until 10th September.

 

‘Black and White’ written by WA actor Eilannin Dhu, whose name co-incidentally is Gaelic for ‘the other black’.

         Loving and caring 18 years old Alison (Krysia Wiechecki) is living in a rundown apartment with her much older partner Peter (Phil Barnett). ‘As a woman’s place is in the home’ subservient Alison will do anything to keep Peter happy. He obviously cares a great deal for her – or does he?

 

As always Dannielle Ashton’s direction, assisted here by Katie Cameron, is superb. With the whole set painted matte black, black drapes and black props, save the single white pillowslip on Alison’s side of the bed, the sombre side of the very well written text was emphasised.

Despite the stage crew being well focused and efficient, each of the set changes unfortunately slowed the pace and reduced the tension that had just been built up; I am sorry, but I have no suggestions of how that could be overcome. Good lighting and sound from Julia Hern. Well chosen mood music.

Krysia has always given the very best of her immense talent, but here, in an especially powerful performance, she drained every ounce of sympathy from the audience as she dealt with the skilled manipulator. Phil was threatening in the ‘Last Train to Freo’ but here I found his performance as the unpredictable partner terrifying, as the two characters played out a scenario that almost everyone will have witnessed amongst their family or friends. Eilannin’s writing was very well observed and the dialogue flowed naturally. Often this type of drama gets too sentimental, or tries to push a message, here we were fed unadorned facts of a unbearable situation and left to suffer along with Alison.

This heavy drama may not be to everyone’s taste, one audience member told me that whilst they thought the acting was magnificent, they hated every minute – perhaps it bit a little too close to home, or they don’t want to watch other people’s dirty washing being aired in public.

Parts of the story reminded me of Terence Stamp’s film ‘The Collector’. A very powerful and beautifully executed play. A story that needed to be told.

 

‘Past Loves’ is a brief comedy written by well-known WA actor Martin Lindsay.

         Angie (Anna Pelusa) arranges to meet family friend, Ben (Murray Jackson) in local cafe to inform him that their previous lovemaking sessions have been bearing heavily on her conscience, and that she feels that she has no other choice than to tell her husband Richard (Martin Lindsay). Ben is devastated, what will his wife Donna (Lisa Skrypichayko) think? Perhaps the counsellor (Grace Edwards) that Angie sees can help.

Director Jeff Watkins subtle, matter-of-fact approach worked well, with Anna and Murray giving mirthful performances.

This is a very funny, light-hearted short play, being ideal to send the audience home with, after the previously taxing drama.

A good all round night at the theatre.

Thread (9 posts)

Gordon the OptomSat, 4 Sept 2010, 04:00 pm

‘Shorts - a season of short plays’ is showing at The Old Mill Theatre, Mends Street, South Perth nightly at 8.00 pm until 10th September.

 

‘Black and White’ written by WA actor Eilannin Dhu, whose name co-incidentally is Gaelic for ‘the other black’.

         Loving and caring 18 years old Alison (Krysia Wiechecki) is living in a rundown apartment with her much older partner Peter (Phil Barnett). ‘As a woman’s place is in the home’ subservient Alison will do anything to keep Peter happy. He obviously cares a great deal for her – or does he?

 

As always Dannielle Ashton’s direction, assisted here by Katie Cameron, is superb. With the whole set painted matte black, black drapes and black props, save the single white pillowslip on Alison’s side of the bed, the sombre side of the very well written text was emphasised.

Despite the stage crew being well focused and efficient, each of the set changes unfortunately slowed the pace and reduced the tension that had just been built up; I am sorry, but I have no suggestions of how that could be overcome. Good lighting and sound from Julia Hern. Well chosen mood music.

Krysia has always given the very best of her immense talent, but here, in an especially powerful performance, she drained every ounce of sympathy from the audience as she dealt with the skilled manipulator. Phil was threatening in the ‘Last Train to Freo’ but here I found his performance as the unpredictable partner terrifying, as the two characters played out a scenario that almost everyone will have witnessed amongst their family or friends. Eilannin’s writing was very well observed and the dialogue flowed naturally. Often this type of drama gets too sentimental, or tries to push a message, here we were fed unadorned facts of a unbearable situation and left to suffer along with Alison.

This heavy drama may not be to everyone’s taste, one audience member told me that whilst they thought the acting was magnificent, they hated every minute – perhaps it bit a little too close to home, or they don’t want to watch other people’s dirty washing being aired in public.

Parts of the story reminded me of Terence Stamp’s film ‘The Collector’. A very powerful and beautifully executed play. A story that needed to be told.

 

‘Past Loves’ is a brief comedy written by well-known WA actor Martin Lindsay.

         Angie (Anna Pelusa) arranges to meet family friend, Ben (Murray Jackson) in local cafe to inform him that their previous lovemaking sessions have been bearing heavily on her conscience, and that she feels that she has no other choice than to tell her husband Richard (Martin Lindsay). Ben is devastated, what will his wife Donna (Lisa Skrypichayko) think? Perhaps the counsellor (Grace Edwards) that Angie sees can help.

Director Jeff Watkins subtle, matter-of-fact approach worked well, with Anna and Murray giving mirthful performances.

This is a very funny, light-hearted short play, being ideal to send the audience home with, after the previously taxing drama.

A good all round night at the theatre.

LabrugSat, 4 Sept 2010, 05:51 pm

Thanks

Thanks Gordon - Much appreciated.

Absit invidia (and DFT :nono:)

Jeff Watkins

Looking for an Agent? Read this first!!

stingerSun, 5 Sept 2010, 12:54 pm

Black, White and Past Loves

I saw the show last night. Unlike Kirrilee, I always expect something interesting from premiere works by local writers. I was not disappointed. As to 'Black & White', I am not as sure as Gordon that it was a story that "needed to be told". If so, my sincere sympathies go to the writer. It was heavy going, but it did have the makings of a good drama. The scene changes I found a bit confusing, in that I lost track of the sequence of events and that for me took some of the power out of the narrative. As to 'Past Loves', the premise was funny in an absurdist way and the dialogue rattled along with few gaps. The individual performances were good, although from what I have seen of the two males' previous work, I probably would have reversed the roles. Perhaps the writer pulled rank on the director? In any case, neither character struck me as the sort of bloke who would meet in a bar and drink pints of lemon squash :) No doubt both of these plays will undergo further development as they head toward the forthcoming one-act festivals. Perhaps props could be more streamlined to facilitate smoother scene changes? Well done, all. Ssstinger >>>
jmuzzMon, 6 Sept 2010, 11:59 am

Thanks Stinger

Yes, Ginger beer may have the word beer in it but you're quite right - doesn't look a bit like the real article. We are duly admonished and both Martin and I have decided we should just man up and drink real pints!! (you hearing this Jeff?). We are conscious of the scene changes and it was discussed at some length when we hit tech and dress rehearsal. I, like you, find a number of scene changes in a one act somewhat annoying and interrupting to the flow but we're hoping these will speed up as the season progresses so we're in tight form for the festivals. It certainly is something I think directors need to look at particularly given the short time frame they have to work with in a festival situation. Other than that it restricts you to working with plays that have no scene changes and a static set which can sometimes bring it's own set of challenges. Thanks for the feedback - good to see you there :)
jmuzzMon, 6 Sept 2010, 12:05 pm

One other thing

Last two chances to see us prior to the festivals this Thursday and Friday. Come and see us if you can - we'll strive to entertain. As an incentive, one lucky female attendee will get a FREE PAST LOVE EXPERIENCE with none other than our very own Mr Martin "Gigolo" Lindsay. If thats not an inducement, I dunno what is. To understand what it means, simply rock up to the Old Mill this Thursday and Friday. Bring your friends, bring your mum, bring granny.....
LabrugMon, 6 Sept 2010, 02:05 pm

Ears Wide Shut

I'm hearing loud and clear, and suggest that you sip...

Absit invidia (and DFT :nono:)

Jeff Watkins

Looking for an Agent? Read this first!!

Lisa SkrypMon, 6 Sept 2010, 03:48 pm

Count me in!

I am SO there!
Walter PlingeSat, 11 Sept 2010, 01:37 pm

Black and White

A friend and I saw Black and White on Thursday night and thought it was terrific, given that writing about mental illness is extremely difficult. However both my friend and I would have really loved to have seen moments, or flashbacks to when this couple were happy, to see more of what they have lost. As the play is there's nothing but constant conflict which is often true in real life. But constant conflict on stage is very tiresome to watch. We get a wee flicker of happiness at the opening but then that's it. Also emotionally, it was always turn up on HIGH,I felt a couple of quieter scenes would enchance this play. Perhaps alternate past happy scenes with current situation. Otherwise great play, brilliant acting. Well done!
Daniel KershawSat, 11 Sept 2010, 07:41 pm

Marlish Glorie, I couldn't

Marlish Glorie, I couldn't agree more with your comments. Well observed.
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