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The Importance of being Earnest

Sat, 29 Aug 2009, 06:45 pm
Gordon the Optom44 posts in thread

‘The Importance of being Earnest’ by Oscar Wilde, is being performed by the Class Act theatre Inc. group at Subiaco arts Centre in Hammersley Road, Subiaco. Last performance at 8.00 pm on Saturday 29th August.

         Whenever the somewhat nervous and insecure Jack Worthing (Dan Luxton) announces that he is going to see his imaginary brother Ernest, he is in fact he going to visit the ravishing Gwendolyn (Rhoda Lopez). One day, the aristocratic, arrogant, lecherous and bullying Algy (Ben Russell) who also has trips away - to see Bunbury, another fictitious friend in the country – is awaiting a visit from his aunt, Lady Bracknell (Craig Williams).

         Jack, who is known in London as Ernest, gives his true love Gwendolyn his country address, that she may visit him. However, he is overheard by Algy who also notes the address, and decides to pay a ‘surprise’ visit. Here Algy meet’s Jack’s ward of court, Cecily Cardew (Whitney Richards). Cecily is looked after by a frumpy old maid, dressed in tweeds - her guardian, Miss Prism (Angelique Malcolm) who is truly a strict and miserable old bird, that is until she sees the Rev. Dr Chasuble (Stephen Lee), the elderly local minister whom she drools over like a teenager.

         To their horror, all the friends and relatives meet together and massive complications develop. The question is who, if anyone, will get to marry whom?

If I had a dollar for every person who has commented ‘Oh not Earnest again!’ I would be a rich man. So, to be truthful I was semi reluctant to go and see this play yet again. I dragged myself along and thank goodness, I did, as this was easily the best of the dozens that I have seen. Besides the fabulous costumes (tour manager Glynis Best), the script was delivered with perfect pace and timing. The last time I saw Lady Bracknell played in drag was by professional comedians, Hinge and Brackett about 15 years ago. They were funny, but this band of jesters had the audience laughing aloud for the whole two and a half hours.

Craig was superb as Bracknell; in the style of Alastair Sim, he was hilarious as the threatening and gruesome Aunt. It was so surprising to see such talented Shakespearean actors, as Dan Luxton and Angelique Malcolm, being so truly gifted in comedy. Dan and Ben Russell (who has had an amazing year) performed a brief soft shoe shuffle, which was a delight.

Rhoda Lopez, renowned for her beautiful singing voice, was most at home with her aristocratic accent and hilarious part. Whitney who was superb as Hamlet’s Ophelia, here went through a 180 degrees to give another brilliant performance as the naïve and stubborn Cecily.

Even though it is more than 50 years since Dame Edith Evans uttered ‘a handbag’, audiences wait for the line in anticipation, and invariably are disappointed. In this production, Lady Bracknell, with a sour face, held the audience for what seemed minutes as she fiddled with her accoutrements in total silence, and then delivered the line most successfully with a quietly dismissive gasp of ‘a handbag!’.

One of the funniest classic shows I have seen in years, with a magnificent cast, that worked fabulously as a team. See it twice! Worthy of an Oscar.

a series of cheap gags

Sun, 30 Aug 2009, 08:45 pm
Please could you list the 'series of cheap gags' to which you object? sitting on a hat? I'll give you that one. It happened by accident one night, but yes, sometimes I do it again just for fun, and it is a cheap laugh, but entirely justified in the context of Jack's despair at his lack of control. doubletakes at Prism's severe observations? Yes, it pushes the envelope of truth. what are the others? I'd be pleased if you'd enlighten the readers of this thread exactly where you think the text was not served by choices made... Please would you also define what you mean by 'playing it straight'. I thought I was in a farce. There's certainly nothing straight about Wilde's plot. Most people who've seen it seem to be aware they are in a world of heightened reality, where nothing is 'straight', and values are weird in the extreme. We are a company with the director in our midst, aka the companies of the middle ages (Moliere etc), touring the countryside providing entertainment. We were given direction in the rehearsal room, we made choices, we found business, to serve Wilde's world we worked out our function and consequently our character with the guidance of our director, and then over 3 weeks of playing, we 7 actors refined our performances before a series of audiences. You see the distillation of that process. Like musicians, we play the audience. Our director is jumping through hoops of joy at what this company of 7 remarkable comic actors has achieved. And given the hilarity expressed by our audiences, which still surprises us in its vehemence, it perhaps suggests we have well and truly milked this sacred cow of every laugh Wilde intended. But please, lets have that list of cheap gags you refered to...

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