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The Young Ones

Mon, 17 Aug 2009, 08:38 pm
Gordon the Optom10 posts in thread
‘The Young Ones’ was presented at Kalamunda Arts Centre on Saturday 15th August, being the World’s first major theatre production of this play. Treasured memories of the past are often best left untouched, so it was with great trepidation that I went to see The Stage Left Theatre Troupe’s adaptation.  The cast, faced with an almost instant full house, were forced to put on an extra show on Saturday afternoon, after having had a rehearsal in the morning! Three extremely active shows in one day and yet by 11.00 in the evening, the cast were still in top form.

          It is a new morning in the repulsively grotty flat of the students of Scumbag College. Long haired, peace loving Neil (Richard Burrowes) has just prepared yet another pot of lentils, for breakfast – or should that be dinner? As it is now 2.00 in the afternoon. Rick (Kevin Blair), with his spoilt pouting mouth and rotating pelvis, relates his latest piece of poetry to Vyvyan (Phil van Oyen) who has just entered the kitchen through a wall! The fourth flat member, Mike (Frank Cotter), counts out his cornflakes in search of his love status for the day.
         Then enters landlord Jerzei Balowski (John ‘JT’ Taylor), a character probably based on the UK extortionist Peter Rachman, who has no feelings for his tenants. Shot gun in his hand he exerts his power and a huge amount of laughs.
        The boys have unwanted visits from Vyvyan and Neil’s mothers (Helen Blench and Sarah Jayne Eales) and the four Horsemen of the Apocalypse.
        In a brief dream sequence, the boys see themselves as children (what a fantastic bunch of young actors, they really got into the spirit of the show – sorry no names available, but they deserve a credit).
        Rick’s hero, ‘Cliff Richard’, and Madness (Kalgoorlie’s ‘Mad House’ band, with singer Brett Thomas) gave a few energy-filled musical breaks.

Since the series of ‘The Young Ones’ first came out on BBC TV in 1982, there has been nothing even slightly similar in comedy, style or delivery. The writers, naturally, have been worried that by releasing a stage version, any portrayal of their cherished characters could be disastrous. Well, after smooth talking by Lisa van Oyen to the three playwrights, Rik Mayall, Lise Mayer and Ben Elton (our new WA resident), a script was released and this Kalgoorlie team was given first chance to perform it. Melanie DeCull, discovered this gem of a show whist on holiday in Kalgoorlie, and with a huge amount of work brought it down to Perth.

This show is mainly visual, such as the slow, but systematic, demolition of the flat. The many surprises and well-synchronised effects (Rod Wilson) and the clever set structure design (Peter Canny) allowed the astonishing happenings to take place. Kylie Pettit’s props had to be seen to be believed – a two metre ham sandwich!

The quality sound (Katie Manns) and lighting design (Aaron Stafford) all had to be set up at short notice after the team’s 640 kilometre journey.

This show was a rare ‘COMPLETE’ production. The programme, promotion, stage management and even the punk usherette! Everything had been thought out perfectly.
Well, was I disappointed with the characters portrayed here, compared to the real TV personalities? Not in the slightest, I am sure that both Rik Mayall and Adrian Edmondson would have been blown away with the work that had gone into Kevin and Phil’s capturing their delivery. Backed by a manic but unique cast, the audience loved it. Director Julian Canny must have demanded accuracy and he certainly got it.

Stage Left’s motto is to ‘take theatre to the people’. Given the chance this team could tour Australia and have house full signs everywhere. Brilliant.

It's a tough call. I went

Thu, 20 Aug 2009, 08:34 am
Walter Plinge
It's a tough call. I went along to see this version of the 'first time' on stage production of ‘The young ones’ and was blown away by the set. I truly believe that the set was good and destroyed as 'The Young Ones' did in the early eighties. However, I’m not one to cause negativity on productions that are first a television series and then adapted to stage. One tends to go to a production expecting a reproduction of the original. Vivian caught the mannerisms’ of the character, but slipped in and out. I thought Rik was wrong. Rik’s character is full of energy, even when Rik isn’t speaking, he is meant to be on edge and unpredictable. If you are to copy or mimic a character, one must study the character. This I felt wasn’t the case. I personally feel that the ‘Actor’ playing the character of Rik was simply out of his league. The essence of Rik is meant to be energized and totally in full focus and command the whole time. Rick Mayall who wrote the script along with Lisa and Ben intended the script to be revolved around Rik. That was the point. The comedy series really belongs to Rik. That’s what people expect. I have spoken to Nigel Planner about the days of the young ones and he quoted ‘The series was ‘Rik’. For me Rik was missing. The essence of the character Rik just wasn’t there. Certain moments mimicked –yes, but the essence wasn’t. Mike the cool person wasn’t cool, he was a wandering actor, he often followed his fellow actors around the set, and instead he should have just sat down and been ‘cool’. His accent didn’t help. He didn’t sound like he was from south east London. He portrayed him in a fine Australian way, Which isn’t Mike. Mike is meant to be shifty, quick witted and fast paced. The Mike I saw was too slow and didn’t capture the character of Mike ‘The Cool person’. The laugh lines were dropped and not pushed through enough... The actors didn’t press on the times of the early 80’s Britain. Yes, smashing up a set is fun, but we can all do that. What annoyed me most were the in jokes of Kalgoorlie and the mention of performing an amateur show, which it was. Perth audiences where left wondering what the in jokes meant. The pre-build up of the show was too much… Getting the president of the club up on stage was too much… They built the production up so much that when the show finally did start (LATE) it was like a lead balloon slowly deflating. The production itself was a brave attempt of an iconic British sitcom, but sadly it didn’t live up to its hype. To tour Australia as you say, would need drastic changes. The name itself would sell tickets. When leaving the theatre, the actors ‘still in costume’ were waiting outside to greet people, but instead of being in character, they had washed there hands of the ‘Young Ones’ and returned to their original dialect of Australia, which broke the magic of what the show was about. Sadly this didn’t work for me. Milking the audience and laughing on stage is all very well and fine, but when you know the show so well, you also know that those gags are not improvised and I was left wondering if the Actors really got the script and the context. The ques were far too slow and the pace the same. By the time the audience left the theatre it was 22.50pm. Far too long for a show that was meant to start at 20.00pm The set was great. But, to me they didn’t quite capture the essence of what it was like to live through those times as a ‘Young One’.

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