Spelling Bee - Playlovers
Sat, 9 May 2009, 09:53 pmEmma Marie28 posts in thread
Spelling Bee - Playlovers
Sat, 9 May 2009, 09:53 pmThe Bee is here??
Went on the Saturday. Whole
Didn't Playlovers get
Why was that moderated
I agree, it is a valid
Surely it does, if the
Why would you post the link
Publicity
Publicity
An Insider veiw - with a slight twist.
As the most recently recruited member of the Tech crew for "Spelling Bee", I would like to add an extra 2 cents worth.
I was involved with (and saw) the production for the first time tonight, and I readily acknowledge that this show is thoroughly deserving of all the praise in the original review by Emma Marie and then some.
However, being "in the bio box" gives one a different viewing aspect, and one thing that is not mentioned in Emma's review is the fact that the Audio for the show is being run by a person who is the youngest Audio Tech I have met in roughly 20 years of "doing the sound and lights".,
Bethy Shaw is one of the most efficient and intuitive Audio Techs I have ever had the pleasure of meeting and working with. To be honest, you would have to see, or at least be familiar with the behind-the-scenes workings of the production to even imagine the scope of work that this young lady deals with each night.
Ok, you say, so it's a musical, so she has about three or four on-stage drop mic's to handle, big deal!
NO, she holds the keys to 12 RF headset mics, two RF handhelds, a live band, a 24 channel board, and aproximatley 100 different combination's of Soloist and Chorus arrangements, all of which require very precisely timed cueing and striking of both individual and large groups of the afore mentioned headgear/handsets as the cast come and go from the stage. This she accomplishes without ONCE refering to the script. (not that it be much use if she did, as none of the combinations or calls were noted!)
On top of this, those that are familiar with "Hackett Hell's" own unique acoustic problems, can atest that this has got to be one of the worst case scenario's of a "Community Hall come Theatre" that West Australia has to offer and has beaten even the hardiest of Tech's into near depression.
Bethy calmly sits at her desk each night, runs the obligatory sound checks, calls each performer, calls for the chorus numbers and then proceeds to drive the machine that is this musical. with no feedback, no pitchy or muddy voices - all mic's handled as if the lady had been twisting knobs and adjusting slides for years.
To watch this young lady in action is truly an education, it seems as if her hardest task is staying awake so far past her bedtime........ after all, she is only TEN.
Congratulations on a wonderful show Bethy, it is a pleasure to be working with you. You are a "natural"!
(Watch out guys, I reckon that given five more years, this "kid" will be lecturing at WAAPA!)
Thanks Graeme
A short review
I am so sorry Beth!!! I
"It's a cow!"
Those cows weren't on the
Well done
Thankyou so much for
What a show!
i thought the performances
why moderate that?
a Brilliant Production!!!
I think you're wrong
bee utiful...??
he can write what ever he
A great show but...
wow