Fidel's Cigar

‘Fidel’s Cigar’ was written and devised by the WAAPA 2^nd year students and director Chris Edmund. This show is being performed at WAAPA’s Roundhouse Theatre, nightly at 7.30 pm on Wednesday and Thursday, and again at 2.30 pm on Saturday the 11^th October.

        It is 1958 and Fidel Castro (David Lamb) is making a return to the country whose army exiled him. He meets Che Guevara (Scott Sheridan), a physically weak man with strong ideals on how to depose the ruling army and lead a peasants’ social revolution. Castro, Celia Sanchez (Shubhadra Young) and Che soon captured the hearts of the 11 million Cubans.
       Later Che found that the Bolivians were suffering similar hardships and decided to fight on their behalf. Despite being told by Castro that they had neither the men nor the finances for such a fight, and a stern warning from the Bolivian leader (Matt Levett?) that he was not wanted, Che and his fearless female agent Tania (Hannah Greenwood) led a small army into the damp, disease-ridden jungles of Bolivia. He was captured and executed.
      Castro was determined to rid his island of the American armed presence, and with the help of Khrushchev and the USSR, he succeeded. However, in 1991 when the USSR fell apart, Castro was left to defend an embargoed Cuba alone. Rationing returned and families starved.

There are two stories blended together, to make this fascinating tale, that of Castro and the other of Guevara. The two main actors had astonishing resemblance to the two leaders. Adding the account of Arturo’s (Sean Hawkins) family and the tragic life of his child, Maria Isabel (Shannon Rae) gave more depth to the suffering.
There was a scene of a Santeria (like a black magic exorcism) when Jameli - ??(Chantelle Jamieson) was cleansed.
This review is only touching the surface of the multiple fascinating facets of this show.
The set was a typical Cuban courtyard (designer Tamsin Raistrick), strongly enhanced with inventive lighting design (David Szoka) and newsreel clips from the era. David Presant’s sound design was crisp and added horror and atmosphere to the happenings. There was no nudity, but there were sexual references and realistic graphic violence. The costumes (Michelle Ward) and properties (Bianca Pereira) were well-researched and sourced.
The presentation was a blend of storytelling, AV, quality Latin American singing and dancing (Lisa Scott-Murphy – sorry, but I don’t know who so magnificently played the blue and white dancer / midwife) with fast moving action covering the auditorium, lighting gantry and stage.
This show had many powerful performances, was fast paced and enthralling. It deserved a better-sized audience. High recommended.

Gordon, I've noticed lately you're getting reviewer's disease - you ramble on about the plot events too much. By the time you say 'this review is only touching the surface' I'm already wondering -what review?. You've said nothing up to that point but given a rather dull history lesson. So the lighting was inventive, the sound was crisp, and the costumes were well-researched. When you finally say someone was magnificent, you don't know who they were. If I trimmed your review down to the useful bit it would be just be the last sentence. This show had many powerful performances, was fast paced and enthralling, and it deserved a better review. I don't mean to be mean, I reckon you do a good job of supporting everybody you go to see, but I reckon you shouldn't be in such a rush to be the first one to post a report when you get home; and think more about telling us what you really thought. Able was I ere I saw Elba

Reviewer's Disease

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