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Speed the Plow

Sat, 19 July 2008, 12:12 pm
Gordon the Optom4 posts in thread
‘Speed-the-Plow’ a play by misogynist David Mamet and directed by amazing Mel Cantwell, is the latest production showing at the Playhouse Theatre in Perth until 2nd August.

            Two friends have worked together for more than a decade in the film industry, and then Bobby (Steve Turner) gets a promotion to senior script selector. His friend Charlie (Luke Hewitt) is offered first option on a play by a well known writer. He takes this to Bobby’s new office for consideration, and is thrilled to find for the first time in his life that there is a chance of his name appearing on the titles as a co-producer.
            Bobby has found that there are other perks with the job when his stunning, part-time, secretary (Gemma Northover) shows some interest. He gives her a diabolical book to review and asks if he can call around that evening for her comments. Will he like what he gets?

After the tightly written, wonderful, ‘Oleanna’, I was looking forward to this new production. However I found the script garrulous and slow. The first of the three acts was hard going, despite the excellent, well-matched, New York accents, the hard work put into the performances by a prize winning well-respected cast. Bobby was shown as the manipulating power-mad boss, and Charlie as the frustrated, jealous friend with a driving ambition. Basically none of the characters were likeable.
Great set design by Claude Marcos which framed the whole show and established the cinema / star link.

A strong and determined attempt at a verbose, slow play – which almost won a Tony Award in the US, How?? Sorry, but 75 minutes of shallow storyline.

Thread (4 posts)

Gordon the OptomSat, 19 July 2008, 12:12 pm
‘Speed-the-Plow’ a play by misogynist David Mamet and directed by amazing Mel Cantwell, is the latest production showing at the Playhouse Theatre in Perth until 2nd August.

            Two friends have worked together for more than a decade in the film industry, and then Bobby (Steve Turner) gets a promotion to senior script selector. His friend Charlie (Luke Hewitt) is offered first option on a play by a well known writer. He takes this to Bobby’s new office for consideration, and is thrilled to find for the first time in his life that there is a chance of his name appearing on the titles as a co-producer.
            Bobby has found that there are other perks with the job when his stunning, part-time, secretary (Gemma Northover) shows some interest. He gives her a diabolical book to review and asks if he can call around that evening for her comments. Will he like what he gets?

After the tightly written, wonderful, ‘Oleanna’, I was looking forward to this new production. However I found the script garrulous and slow. The first of the three acts was hard going, despite the excellent, well-matched, New York accents, the hard work put into the performances by a prize winning well-respected cast. Bobby was shown as the manipulating power-mad boss, and Charlie as the frustrated, jealous friend with a driving ambition. Basically none of the characters were likeable.
Great set design by Claude Marcos which framed the whole show and established the cinema / star link.

A strong and determined attempt at a verbose, slow play – which almost won a Tony Award in the US, How?? Sorry, but 75 minutes of shallow storyline.
Dean SchulzeMon, 21 July 2008, 03:46 pm

As above

I disagree with the words garrulous,slow (both times),verbose and shallow.Apart from that I agree with everything you wrote. I went to a preview on Friday night and thoroughly enjoyed it. The 75 minutes went very quickly and the performances entranced me, particularly Luke in what was the best performance I have seen him give. I recommend it to anyone.
Walter PlingeMon, 21 July 2008, 04:56 pm

Likeable??? - Please explain!

Since when has the quality of a play has to be judged on how likeable a character is? I would have thought that a character would have to be interesting or engaging in some way. What if you produced a play about Hitler and his henchman? How would you make Hitler a likeable character?
Walter PlingeThu, 31 July 2008, 11:44 am

Disagree...

I have to disagree with you on this one Gordon! I loved the play. Mamet's dialogue is anything but slow!
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