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The Rusalka Thread

Fri, 27 June 2008, 07:54 am
Gordon the Optom24 posts in thread

‘The Rusalka Thread’, devised by Jeffrey Jay Fowler and Natalie Holmwood, is showing at the Blue Room, Northbridge. This Mythophobic Production is part of the 2008 City of Perth Winter Arts Festival. It is showing nightly at 6.30 pm, with some extra late shows (9.15 pm) at the weekends until 12th July.

            Holiday resort, Rusalka Lake lodge, lost its popularity when a woman was found drowned. Ten years later, something has made Sophia (Skye Sobejko) return to what is now a dank and crumbling hotel, run by mad scientist Freya (Oda Aunan) and her trusty partner, Nikolai.

           On her arrival, Sophia meets her best school-friend Imogen (Jo Morris), now an established author, who is there to recover from receiving the letter from Hell. Will the two women be safe in this establishment? Can they escape?

In a zany way, ‘The Rusalka Thread’ weaves together East European folklore, detective mystery and romance. It is the latest very funny work from writer director Jeffrey Jay Fowler, whose previous credits include ‘Zen's Red Mouth’ and ‘Hope is the saddest’ (Winner, 2006 Blue Room Members' Choice Award). Again, Jeffery blends many theatre skills and he is never scared to try something new. The idea and construction material of Amanda King’s set is inventive and effective. Chris Issacs’ quality lighting and sound effects enhance the creepy atmosphere.

Mythophobic Productions have set themselves a high standard – did they do it again this time? Definitely! If you enjoyed films like ‘Shaun of the Dead’, ‘Young Frankenstein’ and you can laugh at the humour of Marty Feldman and the acting in ‘The Days of Our Lives’ you will love this.

Haven't see the play

Sat, 12 July 2008, 07:58 am
I live in the wrong state, but I would like to make the following observation: Old is good new is bad is not true but then nor is new is good old is bad, We often make the mistake in assuming that if it is new work done by new people it somehow has an intrinsic value lacking in tried and true works. On the other hand we often make the same assessment of older work equally mistakenly. And to suggest that those who enjoy community theatre are somehow unable to enjoy experimental work is downright insulting. Is that all there is? Well if that's all there is my friend, then let's keep dancing. www.tonymoore.id.au

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