Godspell - Garrick Theatre
Thu, 27 Mar 2008, 06:23 pmPaul Treasure4 posts in thread
Godspell - Garrick Theatre
Thu, 27 Mar 2008, 06:23 pmGodspell must now be one of the most challenging musicals to pull off successfully.
You need to be modern enough to be relevant, while at the same time embracing the spirit of a time and place unfortunately long gone (well the time and place aren't LONG gone, but the spirit certainly is!).
In this I think Garrick's Godspell has succeeded admirably.
The very simple and sparse set, combined with bright costumes help the audience to focus their attention exactly where they should be, with the actors!
Luke Taafe gives his best performance yet as Jesus, maintaining an openness and childlikeness that can really only be compared to Alannis Morisette in Dogma. He exudes joy and wisdom, while avoiding the arrogance that can so easily creep in to this role.
The entire ensemble also deserve kudos for their full on embracing of the innocence required to pull this show off successfully, which is very difficult in this all too cynical world.
Special mention must go to Leesa Crosby, who seems like she was born to play this style of theatre... a flower child in real life perhaps?!
Well done to all involved, especially director Carolyn, a difficult task achieved well.
The cast were very dynamic
Mon, 31 Mar 2008, 08:16 amThe cast were very dynamic which made this work well. Very good ensemble work and solos, with only one song lost in the band when Jesus was up stage centre. Musicicians were very good.
The opening number was done in torchlight to allow for individual solos, but the torches need to all have a wide beam and the actors need to ensure they can see the torch light in their eyes as we saw a lot of chins and only a few faces. The torch light can still come from underneath the face to keep the dark eye socket effect, just need to practice it.
Lighting for the ensemble work was a good stage wash with no one in shadow, even when standing on a table and there were a few specials, but the musical could have had a lot more atmosphere for the solos.
The Garrick stage could use borders to tidy up above the stage.
Nice to see musicals back in the Garrick's repetoire as they do them well.