CATS - By TheatreBits at The Regal
Thu, 12 Apr 2007, 07:36 pmTari-Xalyr33 posts in thread
CATS - By TheatreBits at The Regal
Thu, 12 Apr 2007, 07:36 pmI went last night (April 11th) to see CATS at the Regal. And all n’ all. It was an enjoyable night. I have some honourable mentions and some not so honourable. Some possible advice and my opinion in general.
Firstly congratulations to all involved. It’s a challenge to put on any show but one with such an expectation attached to it. You all did a great job.
Secondly. Honourable mentions to
- Griddle bone & Jellylorum - Emma Shaw - you’re voice is amazing.
- Victoria - Taihla Saunders - Flexible, spineless and beautiful.
- Rum Tum Tugger - David Bowyer - Brilliant stage presence and by the looks of things quite comfortable in lycra. Lol.
- Growl tiger - Daniel Burton - Loved Growltiger. He was very well done.
- Macavity - Cassandra McNamara - wow. Lol. that’s all I can say. I don’t think you got the applause you deserved last night and I tip my hat to you.
An honourable mention also to the company - those cats who didn’t get an individual song, etc, you were a brilliant support. My particular fav’s were Aurora - Shelleyt Weir - and Chloe - Danielle Carter.
A piece of advice, Mungojerrie from last night (not sure which girl it was.) Your voice was rather strained - and thus I am assuming it was put on and is not your natural singing voice. Perhaps try and sing the role in your “normal” singing voice. Audiences are not ignorant and if they are willing will believe that you are playing a male cat even if the voice doesn’t sound “masculine.”
Munkustrap, - Ryan Taaffe - you looked a bit uncomfortable. Not sure what it was, though. Also if you noticed or not - there was one particular area of the stage that whenever you stood there your voice disappeared - interference with the mics or something which was a pity.
Jemima - whose name I’ve lost appologies - you seemed out of your comfort zone with some of those high notes which was a shame for those solo’s because they are beautifully composed.
I’ve spoken at length with the Techies about my opinion and with what they had to work with - and the problems with frequency from phones etc - they did an amazing job. And Richard I’m not just being nice. I’m being honest. Smooth over those few glitches in the first act and it’ll be perfect.
The orchestra/band (whichever you prefer) were briliant but at times - for example when the company sang The Jellicle Song - the music over powered and drowned out the performers. Perhaps fiddle with volume a bit. An honourable mention to Jessica Andrews on Clarinet (I’m a sucker for that instrument) - beautiful and full bodied are those little solo’s in CATS for the clarinet. Craig Dalton - the conductor - I tip my hat to you. Well done. Overall the music was wonderful and it was nice to hear a live orchestra/band rather then listening to tin cans rattling about.
To the costume/make-up and set designers. Congratulations on a job beautifully done. I loved the wigs - which were creatively and effectively done. Although I would attack Grizabella’s coat with some paint and scissors. It looked brand new instead of “tattered and stained with sand”. I loved Macavity’s costume in particular, the colours were amazing.
My favourite two scenes - overall - was Gus: The Theatre Cat and Growltiger’s Last Stand. David Gostlow was brilliant and I easily loved the character. And Daniel Burton - mentioned above - your Growltiger was fun to watch - he was quite comical at times. I previously hadn’t been a fan of those two scenes but now I am. Lol. So congrats.
Although I admit overall the second act was better then the first act - but I have always preferred the second act to the first anyway. The combination of songs seems to work better - well in my opinion anyway.
Congratulations again to all involved. I tip my hat to you all.
~ Tari
I didn't...
Wed, 2 May 2007, 10:35 amcomment on the show itself. As I have said in my own posting- I haven't seen it, can't comment.
However, based on virtually all the reviews I have read the show was inconsistent.
My issue isn't that it wasn't a good show, or a fun show, or that people went to see it twice, or dozens of times. I rather think that it was likely very good. But not consistently good across ALL the aspects of the show, and I for one don't think that people should pay pro ticket prices unless the ENTIRE production is pro. This is not aimed necessarily at any performer, because to be honest, they're often as good as any pro company.
$41.20 is not expensive for the cheapest ticket?! Obviously the trucker is not getting out much themself.
I've just done a quick check- I can get cheaper tickets to WASO, PTC, Musica Viva...that was with 1 minute checking.
Even the WA Opera (prob about the MOST expensive company per production in town) has C reserve for $35 for this year's productions. These are all fully professional companies, with everyone on and off stage being paid. let alone the dozens of other non-pro theatre productions where I can get a couple of tix for $40.
and re your costs- movie-under $10, footy, i think I got in for about $25 last season, night club- haven't been in a 'few' years now. personally, I am more happy having a free drink in a pub and watching a live band.
I feel like a broken record- comparing an amateur show done by kids who are no getting paid to a large music concert (e.g. I'm sure I couldn't have seen Robbie Williams for $40!) or the footy (22 players per team getting paid thousands each just for the game, let alone all the other expenses) is illogical.
you simply can't. They aren't the same or comparable.
and unfortunately you reinforced my concerns about the technical inconsistency of the show by your own admittance that there were technical issues. Do I need to repeat myself?
you aren't paying the performers, so maybe you could at least spend some money getting the microphones right...
and please- can I make it clear in case it isn't already abundantly so- this is not me having a personal go at anyone on or offstage with this show. Really. There is no attack on any young talented (or even untalented!) kids here.
I am merely commenting on the morality of ticket pricing in the real world. I think this one was too much, and all the reviews seem to have confirmed any concerns I had previously raised.
Sorry- I had promised myself (and Tari) that I'd leave this forum to the reviewers now...
oops
Neville
It's the simple things stupid...