Small Treasures - ANYTHING GOES
Tue, 22 Nov 2005, 09:31 amWalter Plinge4 posts in thread
Small Treasures - ANYTHING GOES
Tue, 22 Nov 2005, 09:31 amI went and saw this Cole Porter classic last Friday with a couple of friends and we were all pleasantly surprised by the overall standard of the show.
One of the only faults (if not the only one) was the choice of musical expression for the show - unimpressive recorded digital music should never be an option. A Cole Porter masterpiece requires either A) Live Band or B) Live Band Recording -- as a minimum requirement for these fabulous shows. The choice of unsuitable music support not only made the job that little bit harder for some obvious talent within the show, but also made, what should have been dramatic dance routines, seem long-winded and not 'quite' complete.
However, this shortfall was certainly made-up (just) by some wonderful performances, an effective set and exquisite choreography.
Once we have overcome the initial scene set infront of the curtains we are allowed to cast our vision upon the SS American - the set design was simple but effective and certainly took into consideration the requirment of space for the onset on dance routines. It's a shame that it took the captain, what seemed like 30mins, to check the deck of the ship and ensure all ropes were secure before the 'action' actually started. This seemed a minor issue at times (long set/costume changes) but would have been rectified if the audience were listening to 'real' music during these changes. I was unsure of the Captain (David Seman) initially (seemed a little weak initially as Captain of a ship) however, he proved to be a source of great entertainmnt as the show progressed. Other notible performances included:
Billy (Peter Carr) - An overall solid performance. Good consistent characterisation throughout the show, supported by some surprisingly good dance routines and connected singing. He also reacted well to all those other characters around him at all times.
Reno (Nyree Hughes) - Again one of the saving graces of this show. I would suggest that Reno delivered the most professional performance of the night. Her beautiful singing voice was supported by elegant dance routines and commitment to character through-out. The choice of costume for Reno for each scene was excellent. Always pleasing to see a musical performer who can deliver a character without doubt, whilst maintaining a captivating singing voice and posture on stage. A sense of excitement always persued once Reno had taken the stage.
Oakleigh (Luke Taaffe) - A great character role. Oakleigh initially came across as a little annoying, however, it is soon established that he is supposed to be! He stubbles around stage in a persistantly stupid fashion and comes into his own whilst performing his main musical number with Reno. This performance was delivered extremely well and received with much laughter.
The performances from the artists above made this production an enjoyable evening and were certainly crucial in delivering the overall effect. Moonface also had some amusing moments in the play, even though the voice was a little trying. Erma delivered a clear performance although lacked a certain ora. The two unsung heros from the musical were the two sailors (David Wallace & Callum Presbury). Great performances throughout and also strong singing voices - could have been cast in larger roles.
Recognition should also be given to Claire French for a great performance, but more importantly a wonderful chororapher for this show. The dance (even though not supported by great music) routines were outstanding and much more elaborate than expected - also lovely to see a classin Tap Routine brought to life.
Congratulations to the cast and crew of this show and to the Director Paul Treasure. If "Anything Goes" - then bring on the band! All the best for your remaining season - you all deserve to smile.
One of the only faults (if not the only one) was the choice of musical expression for the show - unimpressive recorded digital music should never be an option. A Cole Porter masterpiece requires either A) Live Band or B) Live Band Recording -- as a minimum requirement for these fabulous shows. The choice of unsuitable music support not only made the job that little bit harder for some obvious talent within the show, but also made, what should have been dramatic dance routines, seem long-winded and not 'quite' complete.
However, this shortfall was certainly made-up (just) by some wonderful performances, an effective set and exquisite choreography.
Once we have overcome the initial scene set infront of the curtains we are allowed to cast our vision upon the SS American - the set design was simple but effective and certainly took into consideration the requirment of space for the onset on dance routines. It's a shame that it took the captain, what seemed like 30mins, to check the deck of the ship and ensure all ropes were secure before the 'action' actually started. This seemed a minor issue at times (long set/costume changes) but would have been rectified if the audience were listening to 'real' music during these changes. I was unsure of the Captain (David Seman) initially (seemed a little weak initially as Captain of a ship) however, he proved to be a source of great entertainmnt as the show progressed. Other notible performances included:
Billy (Peter Carr) - An overall solid performance. Good consistent characterisation throughout the show, supported by some surprisingly good dance routines and connected singing. He also reacted well to all those other characters around him at all times.
Reno (Nyree Hughes) - Again one of the saving graces of this show. I would suggest that Reno delivered the most professional performance of the night. Her beautiful singing voice was supported by elegant dance routines and commitment to character through-out. The choice of costume for Reno for each scene was excellent. Always pleasing to see a musical performer who can deliver a character without doubt, whilst maintaining a captivating singing voice and posture on stage. A sense of excitement always persued once Reno had taken the stage.
Oakleigh (Luke Taaffe) - A great character role. Oakleigh initially came across as a little annoying, however, it is soon established that he is supposed to be! He stubbles around stage in a persistantly stupid fashion and comes into his own whilst performing his main musical number with Reno. This performance was delivered extremely well and received with much laughter.
The performances from the artists above made this production an enjoyable evening and were certainly crucial in delivering the overall effect. Moonface also had some amusing moments in the play, even though the voice was a little trying. Erma delivered a clear performance although lacked a certain ora. The two unsung heros from the musical were the two sailors (David Wallace & Callum Presbury). Great performances throughout and also strong singing voices - could have been cast in larger roles.
Recognition should also be given to Claire French for a great performance, but more importantly a wonderful chororapher for this show. The dance (even though not supported by great music) routines were outstanding and much more elaborate than expected - also lovely to see a classin Tap Routine brought to life.
Congratulations to the cast and crew of this show and to the Director Paul Treasure. If "Anything Goes" - then bring on the band! All the best for your remaining season - you all deserve to smile.