WHAT THE BUTLER SAW
Sun, 25 Sept 2005, 08:12 amBass Guy38 posts in thread
WHAT THE BUTLER SAW
Sun, 25 Sept 2005, 08:12 amWho: GRADS
Where: Dolphin Theatre, UWA
When: 8pm 23/9/2005
What: Sordid farce from the soon-to-be-bludgeoned-to-death Joe Orton
Why: Threats of conjugal favours being withheld if I failed to attend. (Not entirely true)
Well, if the butler saw what I saw on Friday last, he needs his eyes checked or his head read. I thought IÂ’d indulge a little too firmly in the house convivialities prior to the show, but IÂ’m led to believe I wasnÂ’t the only one to suffer the demented visions this play provokes, so I canÂ’t blame it on the unwitting ingestion of psychedelics. I can, however, blame it on the crazed imagination of Stephen Lee and his cast of lunatic stooges.
Orton’s farce apparently flopped at the time of its premiere- and I think I know why. There’s not much “whoops, matron my trousers fell through the pantry. More tea, vicar?” in WTBS. Well, check out the poster- there’s more emphasis on the PHWOOAAR! Factor. As evidenced by the opening five minutes, which sees the heroine on the piece reduced to her underwear, and being subtly drooled over by the hero. It’s like Carry On Without Any Inhibitions. Of course, this is precisely the highbrow entertainment demanded by Generation Zzzzz today, so the choice is apt.
The cast rollicked through the opening night production, with only pause for the occasional hiccup with miscreant props and recalcitrant business. Paul Treasure starts as a bear-like figure, but is soon reduced to a sympathetic putty-like creature by the idiocy of his circumstance. The elfin Jessyca Hutchens not only spends most of the play near naked (I couldnÂ’t afford tickets to WTBS Uncut- Jarrod Buttery had bought them all and was scalping them cruelly) but a good deal of it sedated and/or screaming. Not easy to do both at the same time. Scott Sheridan attacks his role with gusto giving us something akin to Norman Wisdom on crack- which is what the show requires. Tony Petani sets new records for the achievement of those born without gorm. His Sgt Match is bizarre in the way he falls into the mania of the situation without blinking or pause. Jenny McCannÂ’s portrayal as the nymphomaniac harridan was too close to home for me to consider it acting- but by God itÂ’s convincing.
The most FRIGHTENING portrayal in recent history belongs not to that Welsh pretender Hopkins, but the demented Grant Malcolm as Dr Rance. His Murnau-esque take on the character (eyes a-twitch, shoulders a-hunch, voice a-boom) is hysterically funny and unnerving at the same time- and consequently does little to counter my lack of faith in the Western Health System.
Bravura doesnÂ’t begin to describe the efforts of cast and crew for this show. And if opening night had hiccups, these will be ironed out and the show will become unfathomably slick. This is a play that will reward a repeated viewing- theyÂ’re getting more risque as the season progresses. Well, thatÂ’s the rumour IÂ’m going to be spreadingÂ….
El
Where: Dolphin Theatre, UWA
When: 8pm 23/9/2005
What: Sordid farce from the soon-to-be-bludgeoned-to-death Joe Orton
Why: Threats of conjugal favours being withheld if I failed to attend. (Not entirely true)
Well, if the butler saw what I saw on Friday last, he needs his eyes checked or his head read. I thought IÂ’d indulge a little too firmly in the house convivialities prior to the show, but IÂ’m led to believe I wasnÂ’t the only one to suffer the demented visions this play provokes, so I canÂ’t blame it on the unwitting ingestion of psychedelics. I can, however, blame it on the crazed imagination of Stephen Lee and his cast of lunatic stooges.
Orton’s farce apparently flopped at the time of its premiere- and I think I know why. There’s not much “whoops, matron my trousers fell through the pantry. More tea, vicar?” in WTBS. Well, check out the poster- there’s more emphasis on the PHWOOAAR! Factor. As evidenced by the opening five minutes, which sees the heroine on the piece reduced to her underwear, and being subtly drooled over by the hero. It’s like Carry On Without Any Inhibitions. Of course, this is precisely the highbrow entertainment demanded by Generation Zzzzz today, so the choice is apt.
The cast rollicked through the opening night production, with only pause for the occasional hiccup with miscreant props and recalcitrant business. Paul Treasure starts as a bear-like figure, but is soon reduced to a sympathetic putty-like creature by the idiocy of his circumstance. The elfin Jessyca Hutchens not only spends most of the play near naked (I couldnÂ’t afford tickets to WTBS Uncut- Jarrod Buttery had bought them all and was scalping them cruelly) but a good deal of it sedated and/or screaming. Not easy to do both at the same time. Scott Sheridan attacks his role with gusto giving us something akin to Norman Wisdom on crack- which is what the show requires. Tony Petani sets new records for the achievement of those born without gorm. His Sgt Match is bizarre in the way he falls into the mania of the situation without blinking or pause. Jenny McCannÂ’s portrayal as the nymphomaniac harridan was too close to home for me to consider it acting- but by God itÂ’s convincing.
The most FRIGHTENING portrayal in recent history belongs not to that Welsh pretender Hopkins, but the demented Grant Malcolm as Dr Rance. His Murnau-esque take on the character (eyes a-twitch, shoulders a-hunch, voice a-boom) is hysterically funny and unnerving at the same time- and consequently does little to counter my lack of faith in the Western Health System.
Bravura doesnÂ’t begin to describe the efforts of cast and crew for this show. And if opening night had hiccups, these will be ironed out and the show will become unfathomably slick. This is a play that will reward a repeated viewing- theyÂ’re getting more risque as the season progresses. Well, thatÂ’s the rumour IÂ’m going to be spreadingÂ….
El
Re: WHAT THE BUTLER SAW
Sun, 25 Sept 2005, 08:03 pmI was there to see What The Butler Saw on opening night and I'm afraid I can't quite agree with Eliot on his couple of mentions of "hiccups". If there were any, or many, (apart from the broken glass!) I don't think they were noticed by anyone!
Now that's off my chest, I'm not much of a reviewer but I will say a few things that got my attention. First of all hats off to Jessyca who spends almost the entire play with most of her kit off. (yes of course a bit of nudity/rudity will get first mention, tuh!) I wonder if she knew that the small amount of time she does spend in an actual dress, she was continually flashing her knickers at the audience whenever she sat down. Don't suppose it really matters as we get to see them later on anyway! And the gasp from people behind me as she came back on with all her lovely hair cut off! hehe
Speaking of hair, Jenny's deserves a mention as it gradually goes from a relatively neat coiff to something approaching a mad professors as the play progresses and she gets more and more frantic. Jenny brings a wonderful energy onto the stage and gets the action really cranking. I enjoyed every second of the time she was on.
Speaking of energy (segue, segue), lots of hats off to my darling husband for his wide eyed and action packed Dr Rance. The play really hops into full gear with his arrival on stage and never looks back. Oh, and he did the set too which I think deserves a mention. (I have a husband? where??)
I thought Tony's Tarzan moment hilarious, and the way it all had such a "happy" ending...hehehe.
If you need a laugh and you aren't too easily shocked, go see.
That's my 2 bobs worth.
SL
[%sig%]
Now that's off my chest, I'm not much of a reviewer but I will say a few things that got my attention. First of all hats off to Jessyca who spends almost the entire play with most of her kit off. (yes of course a bit of nudity/rudity will get first mention, tuh!) I wonder if she knew that the small amount of time she does spend in an actual dress, she was continually flashing her knickers at the audience whenever she sat down. Don't suppose it really matters as we get to see them later on anyway! And the gasp from people behind me as she came back on with all her lovely hair cut off! hehe
Speaking of hair, Jenny's deserves a mention as it gradually goes from a relatively neat coiff to something approaching a mad professors as the play progresses and she gets more and more frantic. Jenny brings a wonderful energy onto the stage and gets the action really cranking. I enjoyed every second of the time she was on.
Speaking of energy (segue, segue), lots of hats off to my darling husband for his wide eyed and action packed Dr Rance. The play really hops into full gear with his arrival on stage and never looks back. Oh, and he did the set too which I think deserves a mention. (I have a husband? where??)
I thought Tony's Tarzan moment hilarious, and the way it all had such a "happy" ending...hehehe.
If you need a laugh and you aren't too easily shocked, go see.
That's my 2 bobs worth.
SL
[%sig%]
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