Theatre Australia

your portal for australian theatre

Should Playwrights Direct Their Own Work?

Wed, 11 Nov 2009, 01:57 pm
stinger29 posts in thread
I have recently been involved in two plays where the playwright was also the director. In one case, the person concerned felt that he would sooner have someone else direct his plays, but he didn't like to impose on anyone. In the other case, the person concerned felt that he was the best person for the job since he had such a clear vision of how the play should be performed. Also, he could be on hand to do the inevitable rewrites as the rehearsals got under way. That person subsequently expressed amazement at how differently the lines were performed to how they had imagined them in the writing, even despite their own direction. In my view, once the writing is finished, a playwright should be prepared to sever all ties with his or her brainchild (except for the royalties) and let it fly on its own merits. Also, a director should be prepared to go with the written word and not expect to be able to rewrite the script according to his or her whims or those of the actors.

As a closing comment

Thu, 25 Feb 2010, 10:00 am
This is a review I received for my play in the 2010 Adelaide Fringe Adelaide Fringe review: Jane was 16 Yesterday! • Ewart Shaw • From: The Advertiser • February 19, 2010 12:55PM JANE (Joanna Webb), is a 16-year-old girl waking from a coma to find she's 40. Psychologist Susan (Maxine Grubel) tries to help her bridge the gap of years. Webb is effective, especially as she's confined to a wheelchair and Grubel is highly competent in support. The potential drama is undercut by some shallow writing and, at under 50 minutes, this piece has room for development. Tony Moore is both writer and director. Another director might have shaped and paced the play differently. Jah'z Lounge, until March 6 ** Is that all there is? Well if that's all there is my friend, then let's keep dancing. www.tonymoore.id.au

Thread (29 posts)

← Back to Green Room Gossip