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Audition Ettiquette

Mon, 26 Nov 2007, 10:16 pm
Lauren Cleary11 posts in thread
Hey there! Just wondering on the etiquette on auditions. Should you audition for everything, even if you can't commit to both (i.e Best case scenario, you get offered both and they film around about the same time...) Do you only go for the one you're most interested in? and then kick yourself when you don't get it and wished you'd gone for the other one? And also, if you do go for both (and get offered both) Is there a polite way to turn down one of the roles? Much advice needed, all appreciated! Thanks

What's best for you

Tue, 27 Nov 2007, 10:57 am

I have to agree with a lot of what has been said to date here. Honesty is a key point to keep in the fore-front of your mind, as is a strong sense of commitment/loyalty for the projects that you do take on.

I would also like to add that it's important to do what is right/best for you. If you feel you can take on more than one project at a time and that the experiences gained from both would be beneficial then I think that is okay - but remember to communicate your position honestly with all other parties concerned. And if one director is not happy with the situation, you will need to address that.

Also, Jeff makes a very good point when he says: "Nothing annoys a director more than an actor that says "Yes, I'll do it" then drops out half way with the excuse of, I got a better offer. It also can lower your reputation with the other cast members also. Trust me when I say that actors will become very critical of anyone who mucks them around in this way, especially when they have made the commitment themselves." I can't stress enough that if you do commit to a project you must give it the energy and focus it needs. See the thread entitled Theatre Etiquette - Multiple Shows for an example of the reactions you will probably get from other cast/crew members if you pull out. People invest a large amount of their time and energy into these projects and if they feel that someone has let them down it hurts a lot.

I do have one question for you: Are you talking about stage work, screen work or both? I actually don't know the film industry very well (while I do enjoy a good movie I am a bit of a theatre purist and never felt the desire to learn about working in the film industry) so I'm not sure whether my comments will be valid for you.

Kyle

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