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Theatre Etiquette - Multiple Shows?

Fri, 19 Oct 2007, 01:17 pm
Meercat73 posts in thread
Just wondering what everyones opinion is on taking on more than one show at a time in community theatre? Examples: A Director or Musical Director taking on two projects and then splitting their time between the two (OR neglecting one in favour of the other!) A leading actor accepting a role in another production then having to divide their time between roles. My opinion is that you need to commit to one project, so that you can make the best show you can and put all your effort into it. It always seems that others have to pick up the slack for those that accept more than they can handle? Just my opinion and I am interested to hear what others think, as it seems a lot of people now have more than one project going at once. I cant imagine doing this, as once Im in a show - I can only think about one role, one set of songs, one set of dances and so on????

I disagree ("community

Mon, 22 Oct 2007, 03:01 pm
I disagree ("community theatre is more challening"). Us in the professional world also have to deal with actors/directors/crew working full-time day jobs, and particularly in profit-share work we come up with the same issues. Doing City Head this year, I had four people pull out of doing the show; my first choice was to do a one-woman show. I had an actress sorted out, who was extremely willing, but just as we got the registration done for the festival, she pulled out - she wanted to be able to accept paid work if it came along later. The other people pulled out because of various other work commitments - and all within days of committing to the show in the first place. "As an example, if a lead cast member of a show is offered, say a single day of paid-work, it is unfair to expect them to turn it down and attend rehearsals for a non-paid Community Production." It is also unfair for a lead cast member of a show to pull out of a professional, profit-share performance, and expect the director to be able to pull out another cast member at the last minute to fill the spot. Luckily, I had a friend of a friend decide to be involved, and he stayed in the show. I provide as much info to the potential cast as possible about times/dates of rehearsals and performances. I expect them to be wise enough to look at their calendar, assess their commitments, and to think about it before saying yes. If I think there is even a chance of conflict, I don't agree to something. Sticky Apple Legs www.freewebs.com/stickyapplelegs Puppets in Melbourne www.thepromptcopy.com/pip My puppets www.collectzing.com/collection/137/

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