Immersion
Thu, 21 Sept 2006, 04:48 pmTari-Xalyr6 posts in thread
Immersion
Thu, 21 Sept 2006, 04:48 pmAs a shoot off from another thread I've been following lately. Someone has bought up the question of immersing yourself into a character in order to give an honest portrayal of that character.
So I pose the question to people. Are there any characters you have had trouble getting in and out of? Any general comments on the topic? What do you do to try and get into those incredibly surreal characters or characters that have absolutely nothing to do with you personally?
My own 2cents worth that hasn't been mentioned in another thread: Recently I've been given the opportunity to bring to life a charcter that has been floating around my mind for about 12 months now. Tarsha - muse and story keeper. She is about 7yrs old in appearance and sometimes in her actions she is childlike. The truth being she doesn't actually exist except in other peoples minds. Strange concept but fun to portray. I've been using alot of observation just going out - freo mainly - to the park and town and observing children and there behaviours and responses to everything. Been watching family movies of when I was younger (which has been amusing) back when the world was big and exciting and everything was fun and laughable. After drama classes I sometimes find myself sitting in a serious subject - history so to say - laughing, bouncing and making overlarge gestures when I talk. I find it hard to step out of Tarsha's character in such a short space of time - 2min walk from one class to another - and after 2hrs being her it's too much fun to leave her there in the drama room.
I guess my most recent and ongoing experience. Thankfully not a bad or psycotic character just one thats hard to break. I know that Tarsha will stick around in my mind until I get a chance to put her full story on paper.
But until then. . .I am curious as to others comments and experiences.
Absurdism
Wed, 27 Sept 2006, 06:07 pmLogos said: "Some characters can be very very seductive"
I've found that characters of the Absurdist style are able to fall into the "seductive" style of characters. What they say adn do are so out of this world that they are - to me - the ultimate escape route.
I played Estragon from Samuel Becketts play "Waiting for Godot" earlier this year and I found that he was an amazing way to escape for a little while.
Logos also said: "mention the eccentric behaviour your best friend and or partner begins to display when they tackle that toughy they always wanted to do"
That I believe can also be apparent for directors and other sections of the theatre. I know my teahcer directed her first play this year - "Our Name is Smith" - and it was all that was on her mind for 20 weeks. She'd tell us stories of ehr crazy dreams and how she walks around muttering about ideas and her room mate thought she was a litle wacked throughout those 20weeks.
I personally am lucky enough to be playing a section of the character Mary Warren from Arthur Millers play "The Crucible." I fell in love with Mary when we studied the play in lit last year and admittedly when I performed her for the first related task I was obsessed with her - how she works and why she acts like she does, her role in the play etc. She was for me a seductive character and one i've wanted to play for 12months and to finally get the chance i went a little over board. lol.
Characters can be seductive but that is part of the challenge.
~ Tari
The Writer is a child forever listening at the keyhole of the adult world.