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Seeking set / prop guru to assist with December production

Wed, 21 Oct 2009, 09:40 pm
John Grim7 posts in thread
Yes folks. Like many in our community, the 'in sane' are now in rehearsal for our final production of the year (The Karaoke Twist Christmas Special). We have the cast, we have the man who can maketh groovy sounds, what we don't have, is a set /prop designer. (PS: we don't have a lighting man either, but we'll deal with that seperately. I'd like to think I have the tools for the job, but as my tool box consists of a hammer and four rusty nails, I somehow don't think I'll be scoring the gig. So! We need one o' those clever folk who do those wonderful sets you see around evry production but ours, to offer some advice on where to start. We're thinking big! We're thinking Mega Bunning stores..what's that? Oh right. the accountant has just told me the news about my tax return, so forget mega bunnings, we're probably gonna run with more your Mini-Hardware-mart what have you got to deal with? Fourteen scenes, from coffees shop, to lounge setting, to different lounge setting, to the shops, and back to the coffee shop, and then the lounge setting, and then the garden, and then the beach, and then fishing by the river, and then back to the shops again. Bloody hell! Who wrote this? This is a train wreck about to happen! Thanks for the worfds of encouragement Walter. As you can see, the jobs a piece of cake. If you'd like to assist, even from afar, we'd love to talk endless possibilities with yer! e-mail is johnnygrim@optusnet.com.au Mobile 0404 813 294. cheers Johnny Grim A lad in sane productions

Thread (7 posts)

John GrimWed, 21 Oct 2009, 09:40 pm
Yes folks. Like many in our community, the 'in sane' are now in rehearsal for our final production of the year (The Karaoke Twist Christmas Special). We have the cast, we have the man who can maketh groovy sounds, what we don't have, is a set /prop designer. (PS: we don't have a lighting man either, but we'll deal with that seperately. I'd like to think I have the tools for the job, but as my tool box consists of a hammer and four rusty nails, I somehow don't think I'll be scoring the gig. So! We need one o' those clever folk who do those wonderful sets you see around evry production but ours, to offer some advice on where to start. We're thinking big! We're thinking Mega Bunning stores..what's that? Oh right. the accountant has just told me the news about my tax return, so forget mega bunnings, we're probably gonna run with more your Mini-Hardware-mart what have you got to deal with? Fourteen scenes, from coffees shop, to lounge setting, to different lounge setting, to the shops, and back to the coffee shop, and then the lounge setting, and then the garden, and then the beach, and then fishing by the river, and then back to the shops again. Bloody hell! Who wrote this? This is a train wreck about to happen! Thanks for the worfds of encouragement Walter. As you can see, the jobs a piece of cake. If you'd like to assist, even from afar, we'd love to talk endless possibilities with yer! e-mail is johnnygrim@optusnet.com.au Mobile 0404 813 294. cheers Johnny Grim A lad in sane productions
JoeMcThu, 22 Oct 2009, 11:15 am

Your set Jonny?

If this is at Phoenix? Utalise the OP & PS aprons, as seperate satelite stages. This could take care of your coffee shop & lounges, with the main apron for the fishing jetty. Using the cyc to depict the beach & tab track in a back drop for the garden. Or use the tab track as a traveler depicting shops. The cyc could even double for the garden, also use a profiled tree boarder or legs as a garden portal. Multi set it would be as simple as bioling water in a paper bag, without not much swet only slight perspiration.

With the tab track you could also set up [periaktoi] medici flats using jogger flats which could be tracked in, then be worked & turned to suit. Which could  be done at other venues of course!

RapunzelThu, 22 Oct 2009, 02:53 pm

Projection

Can you project onto a cyc or a screen/gauze?? Powerpoint is a wonderful thing...think "representative" rather than "real" for images ie: a slide of a cartoon sea rather than a photo taken at the beach. Might work, might not... "Life is too short to stuff a mushroom"
John GrimThu, 22 Oct 2009, 10:29 pm

thankyou

Hey thanks for the advice guys, I didn't understand a word but I'll pass this onto someone who does. cheers Johnny Grim
JoeMcFri, 23 Oct 2009, 11:21 am

good idea Joanna [repunzal]

good idea Joanna [repunzal] I like the suggestion of the cartoon effect projection. However I'm sure you would know, as is the cases with most ameatre venues, they have little or no upstage or over head space to play with. Even rear projection by bouncing it off a mirror on to a scrim & increasing the image by upto 1:15 times is not always viable. But as always there are ways to fit the complex into the simplex, as with the wine bladder in a carton of cheateau cardbord. There is always the use of gobo's [Fergo] that can enhance as well, which may be an option Jonny might want to explore? But because of the 'daffodil bloke' [achitect] who renovated the venue, of course he ensured the ceiling was left in over the stage & reduced the staging area - All for the sake of asthetics,but that'sl another story!  

RapunzelSat, 24 Oct 2009, 12:34 pm

What? Another pr@t of an architect???

What? Another pr@t of an architect??? I think there's a special architect school somewhere that churns out "specialists" in buggering up theatres.... if only they would ask the people who actually use the flipping things we might end up with usable venues!! Still, nil desperadum and all that (excuse the very bad latin). Gobos rock gaafa, love them myself. If money is very tight it's wonderful what you can do with flattened out and cut up drink cans :) "Life is too short to stuff a mushroom"
JoeMcSun, 25 Oct 2009, 07:47 am

Achytex!

Achytex! Don't get me started, there was a whole thread a while ago - bless thier wooden sox 'n heads.

We used to be able to get used printers offset plates & make up great gobo's, but sadly they are now made of paper. But any sort of thin  sheet metal works well.

I can remember making up glass ones when I was a kid, ok there were a bit fuzzy on the image edges but they did produce pasable projected images.

With the offsets plates I'd draw or find an image on paper, then trace it on to the plate using carbon paper. Then carefully cut it out using a craft knife or scalple, cut the plate to suit the profiles gate size & we had a workable gobo. Sure fine images whould burn out quickly but they cost next to nothing. I have not found anything similar or as good as offset plates as yet? - so I  like you resort to producing breakup gobo's out of  bits of tin, in the old fashion way. 

Of course using computer images on mylar as Fergo's in the Selecon Pacific Lanterns or hiring in computer generated 'Proimage' projection lighting is the way to go now. But I still like messing about with a gobo on occasions.

There kits avaliable to make your own gobo's, but I never ventured that far, from all acounts they are quite cheap & easy to produce.

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