Expressions of Interest for new Amatuer Theatre Company

I would suggest strongly to approach a local fringe/co-op group and finding out how they started, and what they are finding difficult/easy. Costs are going to be the same whether you are an amateur group or a co-op. The difference will be the profits. Generally speaking, a co-operative group of people will come together, each put in a share of the money (that goes towards costs). It is up to the group to decide to: a) hand out the profits, if there are any, to each member equally b) put the money back into the company for future performances Many fringe professional companies do option b. The people in the co-operative are usually people wanting to work professionally, but also produce their own (their own scripts, ideas, or just have some say in their work) shows. These people usually understand that they might not ever see profits, let alone get an actual wage out of it. As for experience - again it would be advisable to approach a local fringe company for guidance. There are no real guidelines or rules on how to set up a professional theatre company. Many just put some money in, choose a script, and put on a show. Finally - since you give us no idea of your background in theatre, it would be good if you posted your experience here. If you come from only an amateur background - that is to say, an emerging artist in terms of working professionally - it might be advisable to do some heavy thinking on whether or not you really want a professional company. (Here I am assuming that you are amateur, but only for the sake of the following advice) Having started my own company, and watched and participated in other newly formed companies (one just recently), I know that it puts a huge strain on your finances, time, and friendships. It is advisable to be very sure of who you go into a company with - you will have to do all the jobs yourselves, quite often doubling up on roles. With the added pressure of putting in a lot of money for probably no return - first shows often lose financially - having to build an audience base, financial and legal responsibilities, and dealing with all those other issues, creating a professional company may not be ideal for those who just want to do theatre as a hobby. Having said that, there is no greater test of your love of theatre than producing work with your own company. It is a very steep learning curve. If you do decide this is the way to go, try approaching a professional stage manager or producer who is familiar with fringe co-op theatre. These people often provide an insight and guidance in those very stressful curves. Profit share is probably the best way to go, and I wish you luck in your endeavours. The Prompt Copy Networking emerging theatre professionals www.thepromptcopy.com Sticky Apple Legs http://stickyapplelegs.artsblogs.com Puppets in Melbourne www.freewebs.com/puppetsinmelbourne