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ITA Finley Award Winners - 2009

Mon, 25 Jan 2010, 02:04 pm
Melz29 posts in thread

The 35th Annual ITA Finley Awards - Winners.

David Crewes Award for Best Set: “The Young Ones” Stage Left Theatre Troupe Goldfields
Best Costumes :  “The Producers” Murray Music and Drama

Brian Maddox Youth Award went to Beth Shaw for Audio Operator for “Spelling Bee” (Playlovers)
Yvonne Lynch Breakthrough Award went to Joshua Haines as pianist for “Oklahoma” (Murray Music and Drama)

Best Other Than Lead Female : Gemma Northover for her role in “A Streetcar Named Desire” (Old Mill Theatre)
Best Other Than Lead Male : Tim How for his role in “Sweeney Todd” (Roleystone)

Best Choreography : Jessica Dunn for “Greenwicks” (University Dramatic Society)
Best Musical Director: Matt Austin for “Sweeney Todd” Roleystone Theatre)

Elizabeth Crewes Front of House Award went to Playlovers
Sheila Buchanan Encouragement Award went to Murray Music & Drama

Best Musical Theatre Performer Male : Scott Burns for his role of Sweeney Todd in “Sweeney Todd” (Roleystone Theatre)
Best Musical Theatre Performer Female : Lindsay McNab for her role as Mrs Lovett in “Sweeney Todd” (Roleystone Theatre)

Best Actor went to Isaak Lim for his role as Tom Ripley in “The Talented Mr Ripley” (Playlovers)
Best Actress went to Jenny McCann for her role as Blanche Dubois in “A Streetcar Named Desire” (Old Mill Theatre)

Best Director of a Musical: Stephen Carr for “Sweeney Todd” (Roleystone)
Best Director: John Milson for “The Talented Mr Ripley” (Playlovers)

Best Musical:  “Sweeney Todd” Roleystone Theatre
Runner Up: “Nunsense” Wanneroo Repertory Club
Third Place:   “Greenwicks” University Dramatic Society

Best Play:  “The Talented Mr Ripley” Playlovers Theatre
Runner Up: “Streetcar Named Desire” Old Mill Theatre
Third Place: “The Shape of Things”  Old Mill Theatre

-- someone who has a record of the Adjudicator Certificates may also like to post these to this thread.

Cheers, Melz

paid professionals

Tue, 26 Jan 2010, 04:32 pm
Walter Plinge
John Milson gave his time, energy and expertise to the show he directed, purely for the love of doing it, just like everyone else involved in the production. That he gets paid for work that he does elsewhere is entirely irrelevant. That he gets paid for work he does elsewhere does not necessarily mean his shows will be better than any other show nominated for a Finley as your comment seems to suggest. I imagine it is his skill not his fee that make his shows good. I also suspect that he is paid as a director because he is good at it, not the other way round. It is certainly true that John has a formidable body of work from which to draw when approaching a production and perhaps in any competition such as the Finley Awards his work would have certain advantages. However when I cast my eye over the list of winners I see a few names that also have some fairly impressive skills to bring to any production they are involved in. I may be mistaken but isn't Gemma Northover a NIDA trained actor? Doesn't this give her unfair advantage over the other actors who have not had the benefit of such training? Jenny McCann has an extraordinary wealth of experience acquired from some 20 years (sorry Jen) of theatrical pursuits (some of which she was actually paid for) and I doubt you could meet a more professional actor. I would certainly say she has an advantage. But if you're getting hung up over who gets paid and what's not fair I think you are missing the point of community theatre. It is a forum for ANYBODY of ANY skill level and a celebration of the love, love, love of the art. That people of Jenny and Johns calibre are out there doing community theatre can only be good thing so don't begrudge them some acknowledgement. And if you get a chance to work with them or any of the other extraordinarily talented people there are out there doing their thing, you will only benefit by it. And who knows maybe one day when you have built up your skill base someone may even want to pay you. And if they do I hope you are so inclined to share some of your skill and expertise - just for the love of it.

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