How do you apply for auditions through the TV industies as an actor

I've actually found that sitting in with directors (they also happened to be the playwrights), most will go for the look, rather than the performance itself. One director/writer chose a woman for 'Gwen' (as in Camelot), who was rather posh-looking, but turned a 10 minute monologue into a 15 minute slow-poke boring piece. The monologue was quite good, but we were all bored. But the actress that we all thought the director/writer should have chosen, didn't have the look, but certainly had the expression, the passion and the vocals for the piece. For some - looks are all you need! The Prompt Copy Networking emerging theatre professionals www.thepromptcopy.com Sticky Apple Legs http://stickyapplelegs.artsblogs.com